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This broadly brushed study was made in Rembrandt's workshop in the late 1630s by a student. There are other studies of this man's head from different directions. Rembrandt operated a school within his workshop, and many young men studied with him to learn his expressive style. They set up their easels in a circle around the model-perhaps a poor man from the neighborhood who had an interesting face.Rembrandt was one of the first to see the faces of the elderly, reflecting a lifetime of experience, as wonderful subjects. With loose brush strokes and selective highlighting, the painter explores the sitter's lined, weathered face.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 343b0e8682c9218e
- Size
- unknown
Document data
- ID
- 29980
- Core
- obj
- Type
- drawing
DTO data
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"contentType": "drawing",
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"title": "Head of an Old Man",
"description": "This broadly brushed study was made in Rembrandt's workshop in the late 1630s by a student. There are other studies of this man's head from different directions. Rembrandt operated a school within his workshop, and many young men studied with him to learn his expressive style. They set up their easels in a circle around the model-perhaps a poor man from the neighborhood who had an interesting face.Rembrandt was one of the first to see the faces of the elderly, reflecting a lifetime of experience, as wonderful subjects. With loose brush strokes and selective highlighting, the painter explores the sitter's lined, weathered face.",
"provenance": "Arnold Seligmann, Rey and Co., New York; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
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"dimensionsRaw": "8 1/8 x 6 15/16 in. (20.6 x 17.7 cm)"
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Context sent to Scholar
Document identity
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"citationUrl": "https://purl.thewalters.org/art/37.298"
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Document source metadata
{
"id": "29980",
"sourceUrl": "https://purl.thewalters.org/art/37.298",
"contentType": "drawing",
"stage": "normalized",
"title": "Head of an Old Man",
"description": "This broadly brushed study was made in Rembrandt's workshop in the late 1630s by a student. There are other studies of this man's head from different directions. Rembrandt operated a school within his workshop, and many young men studied with him to learn his expressive style. They set up their easels in a circle around the model-perhaps a poor man from the neighborhood who had an interesting face.Rembrandt was one of the first to see the faces of the elderly, reflecting a lifetime of experience, as wonderful subjects. With loose brush strokes and selective highlighting, the painter explores the sitter's lined, weathered face.",
"provenance": "Arnold Seligmann, Rey and Co., New York; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
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Document source extras
{
"med": "oil on panel",
"creator_ids": [
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Page context
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