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The son of a Flemish artist employed at the Sèvres Porcelain Manufactory, Van Marcke himself decorated porcelains at Sèvres for nine years. An older colleague, Constant Troyon, encouraged him to paint in oils directly from nature. In 1857, Van Marcke began to submit paintings to the Paris salons, and, within a few years he had gained renown as a painter of cattle, a category of art that appealed to city dwellers in Europe and America in the late 19th century. In this scene, Van Marcke depicts cattle grazing in the swamps of the Landes, a region along the southwest coast of France. In the background, a cowherd walking on stilts tends the cattle.

Page data

Page
2
Source index
0
Type
photo
Media ID
9d2d29dcca0b5a72
Size
unknown

Document data

ID
31764
Core
obj
Type
drawing
DTO data
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    "id": "31764",
    "sourceUrl": "https://purl.thewalters.org/art/37.77",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "The Approach of a Storm",
    "description": "The son of a Flemish artist employed at the Sèvres Porcelain Manufactory, Van Marcke himself decorated porcelains at Sèvres for nine years. An older colleague, Constant Troyon, encouraged him to paint in oils directly from nature. In 1857, Van Marcke began to submit paintings to the Paris salons, and, within a few years he had gained renown as a painter of cattle, a category of art that appealed to city dwellers in Europe and America in the late 19th century. In this scene, Van Marcke depicts cattle grazing in the swamps of the Landes, a region along the southwest coast of France. In the background, a cowherd walking on stilts tends the cattle.",
    "provenance": "Purchased by William T. Walters (through George A. Lucas as agent), Baltimore, June 8, 1872 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.[1] The Diary of George A. Lucas, p. 363.",
    "date": "ca. 1872",
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    "language": "en",
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    "dimensionsRaw": "H: 57 1/2 x W: 79 1/8 in. (146 x 201 cm); Framed H: 77 × W: 99 7/16 × D: 8 1/16 in. (195.6 × 252.5 × 20.5 cm)"
}

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Document identity
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Document source metadata
{
    "id": "31764",
    "sourceUrl": "https://purl.thewalters.org/art/37.77",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "The Approach of a Storm",
    "description": "The son of a Flemish artist employed at the Sèvres Porcelain Manufactory, Van Marcke himself decorated porcelains at Sèvres for nine years. An older colleague, Constant Troyon, encouraged him to paint in oils directly from nature. In 1857, Van Marcke began to submit paintings to the Paris salons, and, within a few years he had gained renown as a painter of cattle, a category of art that appealed to city dwellers in Europe and America in the late 19th century. In this scene, Van Marcke depicts cattle grazing in the swamps of the Landes, a region along the southwest coast of France. In the background, a cowherd walking on stilts tends the cattle.",
    "provenance": "Purchased by William T. Walters (through George A. Lucas as agent), Baltimore, June 8, 1872 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.[1] The Diary of George A. Lucas, p. 363.",
    "date": "ca. 1872",
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Document source extras
{
    "inscriptions": "[Signature] In black at lower left: E. M. Van Marcke",
    "med": "oil on canvas",
    "creator_ids": [
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    ],
    "collection_ids": [
        "EAN"
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    "exhibition_ids": [
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        "2749",
        "3300"
    ]
}
Page context
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