Ask the Scholar

Document scope · 5 pages
obj
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory. For page-specific OCR and visual context, open one of the page chats.

Source Description

Christ, wearing the crown of thorns and displaying the wounds from his crucifixion, holds a splendid cross carved from translucent rock crystal and embellished with gold and precious stones. His red robe, beneath which is a deep purple mantle, is clasped together with an equally elaborate brooch. Christ does not usually appear so splendidly dressed so it is difficult to understand this painting’s precise meaning. It is also not clear where the painting was made, though the city of Parma, in northern Italy, has been suggested along with a date of about 1510. Nevertheless, the painting's small size seems to suggest it was intended as a private devotional object, perhaps in a domestic interior. That Christ is unusually shown blessing with his left, rather than right, hand may indicate the composition was derived from an unidentified print which was reversed in the process of transfer.

Scholar Source Context

Document identity
localId
31991
label
Christ as the Savior
core
obj
dtoType
drawing
pageCount
5
Source metadata
id
31991
contentType
drawing
stage
normalized
title
Christ as the Savior
description
Christ, wearing the crown of thorns and displaying the wounds from his crucifixion, holds a splendid cross carved from translucent rock crystal and embellished with gold and precious stones. His red robe, beneath which is a deep purple mantle, is clasped together with an equally elaborate brooch. Christ does not usually appear so splendidly dressed so it is difficult to understand this painting’s precise meaning. It is also not clear where the painting was made, though the city of Parma, in northern Italy, has been suggested along with a date of about 1510. Nevertheless, the painting's small size seems to suggest it was intended as a private devotional object, perhaps in a domestic interior. That Christ is unusually shown blessing with his left, rather than right, hand may indicate the composition was derived from an unidentified print which was reversed in the process of transfer.
provenance
Orazio Cozetti, Mantegna [date and mode of acquisition unknown] [according to inscription on the back of the panel]; [Rome, 1814]; Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 201, as close to the School of Bologna, 17th century]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1510 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
imageCount
5
pageCount
5
source
import
dimensions
units
cm
width
62.9
height
46.3
depth
2.2
dimensionsRaw
Painted surface H: 24 3/4 x W: 18 1/4 x D: 7/8 in. (62.9 x 46.3 x 2.2 cm)
Source extras
inscriptions
[Transcription] On reverse of panel in ink: Orazio Cozetti
Mantegna.; [Seal] On red seal: Manifat di Roma 1814; [Seal] On red seal: Douane of Papal States
med
oil on wood panel
creator_ids
34874
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
46b08d060cdb2808
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
e54baabce029a339
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
137289da38522383
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
6dd8e14898c4f752
hasOcr
no
hasDescription
no
seq
5
type
photo
mediaId
c187c3524cf67361
hasOcr
no
hasDescription
no