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The subject of the Madonna and Christ Child, shown close up from behind a parapet, is a very common one for a devotional painting such as this. An interesting feature in this example is the coral necklace worn by Christ. Coral was believed to keep the devil away and many babies at this time had a coral teething ring or necklace. Schiavone was born in Dalmatia (present-day Croatia) and immigrated to northern Italy, where he studied in Padua in the workshop of Francesco Squarcione, the same painter with whom both Dario di Giovanni (37.1178-1180) and Marco Zoppo (37.544) trained. On the cartellino (little paper) in the foreground, Schiavone proudly identifies himself as the disciple of this master, known especially for encouraging an appreciation for ancient Roman art in his students. The garlands at the top, heavy with fruit, are colorful, playful versions of the ones he would have seen on Roman sarcophagi or funerary altars in Paduan collections.

Page data

Page
1
Source index
0
Type
photo
Media ID
e12f89a80e006e23
Size
unknown

Document data

ID
3259
Core
obj
Type
drawing
DTO data
{
    "id": "3259",
    "sourceUrl": "https://purl.thewalters.org/art/37.1026",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Madonna and Child with Angels",
    "description": "The subject of the Madonna and Christ Child, shown close up from behind a parapet, is a very common one for a devotional painting such as this. An interesting feature in this example is the coral necklace worn by Christ. Coral was believed to keep the devil away and many babies at this time had a coral teething ring or necklace.  Schiavone was born in Dalmatia (present-day Croatia) and immigrated to northern Italy, where he studied in Padua in the workshop of Francesco Squarcione, the same painter with whom both Dario di Giovanni (37.1178-1180) and Marco Zoppo (37.544) trained. On the cartellino (little paper) in the foreground, Schiavone proudly identifies himself as the disciple of this master, known especially for encouraging an appreciation for ancient Roman art in his students. The garlands at the top, heavy with fruit, are colorful, playful versions of the ones he would have seen on Roman sarcophagi or funerary altars in Paduan collections.",
    "provenance": "Arnold Seligmann, Rey and Co., Munich and New York, 1922 [listed in Zeri: Italian Paintings in the Walters Art Gallery: I as A. S. Drey]; Robert Lehman, New York, 1924 (?) [mode of acquisition unknown]; Arnold Seligmann, Rey and Co., New York, 1925; Henry Walters, Baltimore, 1925, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1459-1460 (Renaissance)",
    "citationUrl": "https://purl.thewalters.org/art/37.1026",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "panel paintings"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL1_37.1026_Fnt_TR_T85III.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL1_37.1026_Fnt_TR_T85III.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL1_37.1026_Fnt_TR_T85III.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 69,
            "height": 56.7
        }
    ],
    "dimensionsRaw": "Painted surface H: 27 3/16 x W: 22 5/16 in. (69 x 56.7 cm); Panel H: 27 9/16 x W: 22 5/16 x D: 1 in. (70 x 56.7 x 2.5 cm)"
}

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Document identity
{
    "localId": "3259",
    "label": "Madonna and Child with Angels",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.1026"
}
Document source metadata
{
    "id": "3259",
    "sourceUrl": "https://purl.thewalters.org/art/37.1026",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Madonna and Child with Angels",
    "description": "The subject of the Madonna and Christ Child, shown close up from behind a parapet, is a very common one for a devotional painting such as this. An interesting feature in this example is the coral necklace worn by Christ. Coral was believed to keep the devil away and many babies at this time had a coral teething ring or necklace.  Schiavone was born in Dalmatia (present-day Croatia) and immigrated to northern Italy, where he studied in Padua in the workshop of Francesco Squarcione, the same painter with whom both Dario di Giovanni (37.1178-1180) and Marco Zoppo (37.544) trained. On the cartellino (little paper) in the foreground, Schiavone proudly identifies himself as the disciple of this master, known especially for encouraging an appreciation for ancient Roman art in his students. The garlands at the top, heavy with fruit, are colorful, playful versions of the ones he would have seen on Roman sarcophagi or funerary altars in Paduan collections.",
    "provenance": "Arnold Seligmann, Rey and Co., Munich and New York, 1922 [listed in Zeri: Italian Paintings in the Walters Art Gallery: I as A. S. Drey]; Robert Lehman, New York, 1924 (?) [mode of acquisition unknown]; Arnold Seligmann, Rey and Co., New York, 1925; Henry Walters, Baltimore, 1925, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1459-1460 (Renaissance)",
    "citationUrl": "https://purl.thewalters.org/art/37.1026",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "panel paintings"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL1_37.1026_Fnt_TR_T85III.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL1_37.1026_Fnt_TR_T85III.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL1_37.1026_Fnt_TR_T85III.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 69,
            "height": 56.7
        }
    ],
    "dimensionsRaw": "Painted surface H: 27 3/16 x W: 22 5/16 in. (69 x 56.7 cm); Panel H: 27 9/16 x W: 22 5/16 x D: 1 in. (70 x 56.7 x 2.5 cm)"
}
Document source extras
{
    "inscriptions": [
        "[Transcription] Inscribed on the paper at the bottom: .HOC. PINXIT. GEORGIVS. DALMATICVS. DIS",
        "CIPVLVS. SQVARCIONI. S.; [Translation] Inscribed on the paper at the bottom: Giorgio Dalmaticus, pupil of Squarcione, painted this."
    ],
    "med": "oil on panel",
    "creator_ids": [
        "4294"
    ],
    "collection_ids": [
        "REN"
    ],
    "exhibition_ids": [
        "97"
    ]
}
Page context
{
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    "pageIndex": 0,
    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/PL1_37.1026_Fnt_TR_T85III.jpg",
    "mediaId": "e12f89a80e006e23"
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