Ask the Scholar

Page 2 of 4
I can add historical knowledge about this page.

Page image

Page 2

Document source description

This depiction of the traditional subject of the "Fall of Man" in the Garden of Eden is extremely unusual because there is no serpent represented. Eve is represented as particularly sensuous and aggressive in offering the fruit to Adam, who does not take the fruit but who gestures in a way that indicated that he is arguing with Eve. Some theologians insisted that Eve was much more to blame than Adam; this painting responds to that line of thinking.Pietro Mera, to whom the painting has now been attributed, was one of the many Flemish painters working in Venice and surrounding art centers around 1600. Their sensitivity to landscape was greatly appreciated. The lushness of the landscape here reflects the tastes of his homeland.

Page data

Page
2
Source index
0
Type
photo
Media ID
96099f55a88a81fb
Size
unknown

Document data

ID
32681
Core
obj
Type
drawing
DTO data
{
    "id": "32681",
    "sourceUrl": "https://purl.thewalters.org/art/37.576",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "The Fall of Man",
    "description": "This depiction of the traditional subject of the \"Fall of Man\" in the Garden of Eden is extremely unusual because there is no serpent represented. Eve is represented as particularly sensuous and aggressive in offering the fruit to Adam, who does not take the fruit but who gestures in a way that indicated that he is arguing with Eve. Some theologians insisted that Eve was much more to blame than Adam; this painting responds to that line of thinking.Pietro Mera, to whom the painting has now been attributed, was one of the many Flemish painters working in Venice and surrounding art centers around 1600. Their sensitivity to landscape was greatly appreciated. The lushness of the landscape here reflects the tastes of his homeland.",
    "provenance": "William T. / Henry Walters Collection, Baltimore, prior to 1909 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
    "date": "1600-1610 (Renaissance)",
    "citationUrl": "https://purl.thewalters.org/art/37.576",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "oil paintings (visual works)"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PS1_37.576_DetAT_DD_T11.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PS1_37.576_DetAT_DD_T11.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PS1_37.576_DetAT_DD_T11.jpg",
    "imageCount": 4,
    "pageCount": 4,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 161,
            "height": 120
        }
    ],
    "dimensionsRaw": "H: 63 3/8 x W: 47 1/4 in. (161 x 120 cm); Approx. surviving original fabric H: 55 7/8 x W: 41 3/4 in. (142 x 106 cm)"
}

Context sent to Scholar

Document identity
{
    "localId": "32681",
    "label": "The Fall of Man",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.576"
}
Document source metadata
{
    "id": "32681",
    "sourceUrl": "https://purl.thewalters.org/art/37.576",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "The Fall of Man",
    "description": "This depiction of the traditional subject of the \"Fall of Man\" in the Garden of Eden is extremely unusual because there is no serpent represented. Eve is represented as particularly sensuous and aggressive in offering the fruit to Adam, who does not take the fruit but who gestures in a way that indicated that he is arguing with Eve. Some theologians insisted that Eve was much more to blame than Adam; this painting responds to that line of thinking.Pietro Mera, to whom the painting has now been attributed, was one of the many Flemish painters working in Venice and surrounding art centers around 1600. Their sensitivity to landscape was greatly appreciated. The lushness of the landscape here reflects the tastes of his homeland.",
    "provenance": "William T. / Henry Walters Collection, Baltimore, prior to 1909 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
    "date": "1600-1610 (Renaissance)",
    "citationUrl": "https://purl.thewalters.org/art/37.576",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "oil paintings (visual works)"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PS1_37.576_DetAT_DD_T11.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PS1_37.576_DetAT_DD_T11.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PS1_37.576_DetAT_DD_T11.jpg",
    "imageCount": 4,
    "pageCount": 4,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 161,
            "height": 120
        }
    ],
    "dimensionsRaw": "H: 63 3/8 x W: 47 1/4 in. (161 x 120 cm); Approx. surviving original fabric H: 55 7/8 x W: 41 3/4 in. (142 x 106 cm)"
}
Document source extras
{
    "med": "oil on canvas",
    "creator_ids": [
        "17087"
    ],
    "collection_ids": [
        "REN"
    ],
    "exhibition_ids": []
}
Page context
{
    "seq": 2,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/PS1_37.576_ATFnt_DD_T11.jpg",
    "mediaId": "96099f55a88a81fb"
}