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A descendant of an illustrious family of painters, Wang Chen upheld the literary-man's style of painting in the second half of the 18th century. Here, near the end of his life, he has depicted the garden pavilions of a wealthy collector, Cha Ying, in a spare and reserved manner. There is no one in the garden, but the scroll itself suggests a world of high-minded pursuits among China's political elite. The four characters of the title were written by the scholar and official Sun Hsing-yen (1753-1818) in seal script, for which he was famous. The first text (colophon) following the paintings is an essay on Cha Ying's garden by Pi Yüan (1730-97), governor in 1793 of Hupei and Hunan provinces. Sun Hsing-yen had earlier served as Pi Yüan's secretary. There are seventeen additional colophons, each by a different hand.
Page data
- Page
- 5
- Source index
- 0
- Type
- photo
- Media ID
- e5a87afc6fbc26f1
- Size
- unknown
Document data
- ID
- 33064
- Core
- obj
- Type
- drawing
DTO data
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"title": "Listening-to-the-Rain Studio",
"description": "A descendant of an illustrious family of painters, Wang Chen upheld the literary-man's style of painting in the second half of the 18th century. Here, near the end of his life, he has depicted the garden pavilions of a wealthy collector, Cha Ying, in a spare and reserved manner. There is no one in the garden, but the scroll itself suggests a world of high-minded pursuits among China's political elite. The four characters of the title were written by the scholar and official Sun Hsing-yen (1753-1818) in seal script, for which he was famous. The first text (colophon) following the paintings is an essay on Cha Ying's garden by Pi Yüan (1730-97), governor in 1793 of Hupei and Hunan provinces. Sun Hsing-yen had earlier served as Pi Yüan's secretary. There are seventeen additional colophons, each by a different hand.",
"provenance": "Sale, Sothebys, December 2, 1992, lot 53; Walters Art Museum, 1992, by purchase.",
"date": "1793 (Qing)",
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Context sent to Scholar
Document identity
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"label": "Listening-to-the-Rain Studio",
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Document source metadata
{
"id": "33064",
"sourceUrl": "https://purl.thewalters.org/art/35.183",
"contentType": "drawing",
"stage": "normalized",
"title": "Listening-to-the-Rain Studio",
"description": "A descendant of an illustrious family of painters, Wang Chen upheld the literary-man's style of painting in the second half of the 18th century. Here, near the end of his life, he has depicted the garden pavilions of a wealthy collector, Cha Ying, in a spare and reserved manner. There is no one in the garden, but the scroll itself suggests a world of high-minded pursuits among China's political elite. The four characters of the title were written by the scholar and official Sun Hsing-yen (1753-1818) in seal script, for which he was famous. The first text (colophon) following the paintings is an essay on Cha Ying's garden by Pi Yüan (1730-97), governor in 1793 of Hupei and Hunan provinces. Sun Hsing-yen had earlier served as Pi Yüan's secretary. There are seventeen additional colophons, each by a different hand.",
"provenance": "Sale, Sothebys, December 2, 1992, lot 53; Walters Art Museum, 1992, by purchase.",
"date": "1793 (Qing)",
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"rightsUri": "CC0",
"language": "en",
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Document source extras
{
"cul": "Chinese",
"inscriptions": "[Inscription] 乾隆五十八年癸丑春二月 七十四豪叟王宸寫字;",
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"med": "ink and color on paper",
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Page context
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