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Source Description

The early Christian martyr Saint Lawrence (225-258 CE) stands with his typical attributes: a palm frond, indicating his status as a martyr, and the gridiron on which he is said to have been killed. The panel was once part of a small "polyptych," or multi-paneled altarpiece, which probably depicted the Madonna and Child flanked by several saints. Two similarly shaped panels depicting Saints Benedict and John the Baptist, both now in private collections, are believed to have come from the same complex. The ensemble was attributed by art historian Federico Zeri to Battista di Gerio, who worked in the Tuscan cities of Pisa and Lucca in the early 15th century. Recent research, however, has shown that many of the paintings formerly believed to be by Battista di Gerio are actually by Borghese di Piero, another artist active in the same two cities.

Scholar Source Context

Document identity
localId
34186
label
St. Lawrence
core
obj
dtoType
drawing
pageCount
3
Source metadata
id
34186
contentType
drawing
stage
normalized
title
St. Lawrence
description
The early Christian martyr Saint Lawrence (225-258 CE) stands with his typical attributes: a palm frond, indicating his status as a martyr, and the gridiron on which he is said to have been killed. The panel was once part of a small "polyptych," or multi-paneled altarpiece, which probably depicted the Madonna and Child flanked by several saints. Two similarly shaped panels depicting Saints Benedict and John the Baptist, both now in private collections, are believed to have come from the same complex. The ensemble was attributed by art historian Federico Zeri to Battista di Gerio, who worked in the Tuscan cities of Pisa and Lucca in the early 15th century. Recent research, however, has shown that many of the paintings formerly believed to be by Battista di Gerio are actually by Borghese di Piero, another artist active in the same two cities.
provenance
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1881 catalogue: no. 22; 1897 catalogue: no. 15, as Cimino di Andrea Cimini]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1440 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
panel paintings
polyptychs
imageCount
3
pageCount
3
source
import
dimensions
units
cm
width
53.6
height
17.8
depth
3
dimensionsRaw
Painted surface and panel H excluding modern gilt frame: 21 1/8 x W: 7 x D: 1 3/16 in. (53.6 x 17.8 x 3 cm)
Source extras
med
tempera and gold leaf on wood panel
creator_ids
34759
34992
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
ccf92bf46d59ab5e
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
7039715df3663a55
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
c0c213e1734f6a94
hasOcr
no
hasDescription
no