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The early Christian martyr St. Agatha was pursued by the consular official of Sicily. She refused him, and the tortures to which he submitted her included cutting off her breasts. They were restored though the divine intervention of St. Peter.This devotional image shows the saint contemplating God while tenderly holding the pincers, the instruments of her sufferings through which she achieved her sanctity. The palm branch is the attribute of martyrs. The way in which the saint is modeled with soft sfumato (an almost invisible rendering of the transitions from light to shade) and emerges from a dark background is characteristic of Furini's work.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 307, p. 435.

Page data

Page
1
Source index
0
Type
photo
Media ID
f1e815700c5f35be
Size
unknown

Document data

ID
34385
Core
obj
Type
drawing
DTO data
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    "id": "34385",
    "sourceUrl": "https://purl.thewalters.org/art/37.1839",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "St. Agatha",
    "description": "The early Christian martyr St. Agatha was pursued by the consular official of Sicily. She refused him, and the tortures to which he submitted her included cutting off her breasts. They were restored though the divine intervention of St. Peter.This devotional image shows the saint contemplating God while tenderly holding the pincers, the instruments of her sufferings through which she achieved her sanctity. The palm branch is the attribute of martyrs. The way in which the saint is modeled with soft sfumato (an almost invisible rendering of the transitions from light to shade) and emerges from a dark background is characteristic of Furini's work.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 307, p. 435.",
    "provenance": "Don Marcello Massarenti Collection, Rome, prior to 1881 [mode of acquisition unknown] [1881 catalogue: no. 59; 1897 catalogue: no. 119]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1635-1645",
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        }
    ],
    "dimensionsRaw": "Painted surface H: 25 1/4 x W: 19 13/16 in. (64.2 x 50.3 cm)"
}

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Document identity
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    "localId": "34385",
    "label": "St. Agatha",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.1839"
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Document source metadata
{
    "id": "34385",
    "sourceUrl": "https://purl.thewalters.org/art/37.1839",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "St. Agatha",
    "description": "The early Christian martyr St. Agatha was pursued by the consular official of Sicily. She refused him, and the tortures to which he submitted her included cutting off her breasts. They were restored though the divine intervention of St. Peter.This devotional image shows the saint contemplating God while tenderly holding the pincers, the instruments of her sufferings through which she achieved her sanctity. The palm branch is the attribute of martyrs. The way in which the saint is modeled with soft sfumato (an almost invisible rendering of the transitions from light to shade) and emerges from a dark background is characteristic of Furini's work.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 307, p. 435.",
    "provenance": "Don Marcello Massarenti Collection, Rome, prior to 1881 [mode of acquisition unknown] [1881 catalogue: no. 59; 1897 catalogue: no. 119]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1635-1645",
    "citationUrl": "https://purl.thewalters.org/art/37.1839",
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Document source extras
{
    "med": "oil and tempera on canvas",
    "creator_ids": [
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    "collection_ids": [
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    "exhibition_ids": [
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Page context
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