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Though seemingly self-contained, this panel is actually a fragment of a larger painting that was cut in half across the middle. The tops of two haloes are all that remain of Mary and St. John the Evangelist, who originally flanked the cross in the lower half of the panel, now missing. While the Armenian bole (a red earth pigment) foundation beneath the gold leaf shows through in many places, the figure of Christ is in excellent condition. Orcagna's attention to the anatomical details of Christ's torso reveals his training as a sculptor.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- e70bbc27cc930cf7
- Size
- unknown
Document data
- ID
- 34649
- Core
- obj
- Type
- drawing
DTO data
{
"id": "34649",
"sourceUrl": "https://purl.thewalters.org/art/37.2405",
"contentType": "drawing",
"stage": "normalized",
"title": "The Crucifixion",
"description": "Though seemingly self-contained, this panel is actually a fragment of a larger painting that was cut in half across the middle. The tops of two haloes are all that remain of Mary and St. John the Evangelist, who originally flanked the cross in the lower half of the panel, now missing. While the Armenian bole (a red earth pigment) foundation beneath the gold leaf shows through in many places, the figure of Christ is in excellent condition. Orcagna's attention to the anatomical details of Christ's torso reveals his training as a sculptor.",
"provenance": "Federico Pedulli, Florence, 1905 [mode of acquisition unknown]; Judge and Mrs. Jacob M. Moses, Baltimore, 1905, by purchase; Walters Art Museum, 1964, by gift.",
"date": "1350-1359 (Medieval)",
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"rightsUri": "CC0",
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"source": "import",
"dimensions": [
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"units": "cm",
"width": 20.3,
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],
"dimensionsRaw": "H: 8 x W: 5 11/16 x D: 1/2 in. (20.3 x 14.5 x 1.3 cm); Painted surface H: 6 7/8 x W: 4 15/16 in. (17.5 x 12.5 cm)",
"style": "Gothic"
}
Context sent to Scholar
Document identity
{
"localId": "34649",
"label": "The Crucifixion",
"core": "obj",
"dtoType": "drawing",
"citationUrl": "https://purl.thewalters.org/art/37.2405"
}
Document source metadata
{
"id": "34649",
"sourceUrl": "https://purl.thewalters.org/art/37.2405",
"contentType": "drawing",
"stage": "normalized",
"title": "The Crucifixion",
"description": "Though seemingly self-contained, this panel is actually a fragment of a larger painting that was cut in half across the middle. The tops of two haloes are all that remain of Mary and St. John the Evangelist, who originally flanked the cross in the lower half of the panel, now missing. While the Armenian bole (a red earth pigment) foundation beneath the gold leaf shows through in many places, the figure of Christ is in excellent condition. Orcagna's attention to the anatomical details of Christ's torso reveals his training as a sculptor.",
"provenance": "Federico Pedulli, Florence, 1905 [mode of acquisition unknown]; Judge and Mrs. Jacob M. Moses, Baltimore, 1905, by purchase; Walters Art Museum, 1964, by gift.",
"date": "1350-1359 (Medieval)",
"citationUrl": "https://purl.thewalters.org/art/37.2405",
"rightsUri": "CC0",
"language": "en",
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"panel paintings"
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"dimensions": [
{
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"width": 20.3,
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}
],
"dimensionsRaw": "H: 8 x W: 5 11/16 x D: 1/2 in. (20.3 x 14.5 x 1.3 cm); Painted surface H: 6 7/8 x W: 4 15/16 in. (17.5 x 12.5 cm)",
"style": "Gothic"
}
Document source extras
{
"inscriptions": [
"[Transcription] Inscribed at the top of the cross",
"with a cross: PO."
],
"med": "tempera and gold leaf on panel",
"creator_ids": [
"7761"
],
"collection_ids": [
"MED"
],
"exhibition_ids": []
}
Page context
{
"seq": 1,
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"type": "photo",
"url": "https://art.thewalters.org/images/raw/PL2_37.2405_Fnt_TR.jpg",
"mediaId": "e70bbc27cc930cf7"
}