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In 17th-century Europe, what caused storms and weather in general was not understood. Many people saw terrible storms in a personalized way, as evidence of God's power and anger at human failings. The wreckage of a ship and crewmen fighting for their lives can be seen in the violent waves in the foreground. The mountains and style of architecture indicate the Italian coast, so a viewer in Antwerp could feel a satisfying shudder without feeling directly threatened. The shipwreck off a mountainous (and therefore foreign) coast was a favored theme for Jan Peeters, as in a similar painting in The Hermitage Museum In St. Petersberg.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 173ec0ad16fdfe97
- Size
- unknown
Document data
- ID
- 34825
- Core
- obj
- Type
- drawing
DTO data
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"title": "Southern Seaport in a Storm",
"description": "In 17th-century Europe, what caused storms and weather in general was not understood. Many people saw terrible storms in a personalized way, as evidence of God's power and anger at human failings. The wreckage of a ship and crewmen fighting for their lives can be seen in the violent waves in the foreground. The mountains and style of architecture indicate the Italian coast, so a viewer in Antwerp could feel a satisfying shudder without feeling directly threatened. The shipwreck off a mountainous (and therefore foreign) coast was a favored theme for Jan Peeters, as in a similar painting in The Hermitage Museum In St. Petersberg.",
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Document identity
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Document source metadata
{
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Document source extras
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Page context
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