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In 17th-century Europe, what caused storms and weather in general was not understood. Many people saw terrible storms in a personalized way, as evidence of God's power and anger at human failings. The wreckage of a ship and crewmen fighting for their lives can be seen in the violent waves in the foreground. The mountains and style of architecture indicate the Italian coast, so a viewer in Antwerp could feel a satisfying shudder without feeling directly threatened. The shipwreck off a mountainous (and therefore foreign) coast was a favored theme for Jan Peeters, as in a similar painting in The Hermitage Museum In St. Petersberg.

Page data

Page
1
Source index
0
Type
photo
Media ID
173ec0ad16fdfe97
Size
unknown

Document data

ID
34825
Core
obj
Type
drawing
DTO data
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    "title": "Southern Seaport in a Storm",
    "description": "In 17th-century Europe, what caused storms and weather in general was not understood. Many people saw terrible storms in a personalized way, as evidence of God's power and anger at human failings. The wreckage of a ship and crewmen fighting for their lives can be seen in the violent waves in the foreground. The mountains and style of architecture indicate the Italian coast, so a viewer in Antwerp could feel a satisfying shudder without feeling directly threatened. The shipwreck off a mountainous (and therefore foreign) coast  was a favored theme for Jan Peeters, as in a similar painting in The Hermitage Museum In St. Petersberg.",
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Document identity
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    "core": "obj",
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    "citationUrl": "https://purl.thewalters.org/art/37.1921"
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Document source metadata
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    "contentType": "drawing",
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    "title": "Southern Seaport in a Storm",
    "description": "In 17th-century Europe, what caused storms and weather in general was not understood. Many people saw terrible storms in a personalized way, as evidence of God's power and anger at human failings. The wreckage of a ship and crewmen fighting for their lives can be seen in the violent waves in the foreground. The mountains and style of architecture indicate the Italian coast, so a viewer in Antwerp could feel a satisfying shudder without feeling directly threatened. The shipwreck off a mountainous (and therefore foreign) coast  was a favored theme for Jan Peeters, as in a similar painting in The Hermitage Museum In St. Petersberg.",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
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Page context
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