Ask the Scholar

Document scope · 1 page
obj
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory. For page-specific OCR and visual context, open one of the page chats.

Source Description

This composition, a copy of a replica of around 1730 by the great Neapolitan artist Solimena after his own earlier painting of 1701, represents a scene adapted from "The Metamorphoses," the famous poem on the loves of the gods by the 1st-century Roman author Ovid. The north wind Boreas was in love with Orithya, the daughter of the king of Athens. She refused him, and, in anger, the god abducted the frightened young woman from amid her maidens-in-waiting. Flying cupids (little gods of love) symbolize the passion that motivated Boreas. The dramatic use of flickering patches of light and shadow is characteristic of Solimena's style although the color is less intense. Copies of popular compositions were avidly bought for inclusion in decorative arrangements.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 431, p. 543.

Scholar Source Context

Document identity
localId
34947
label
The Abduction of Orithyia
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
34947
contentType
drawing
stage
normalized
title
The Abduction of Orithyia
description
This composition, a copy of a replica of around 1730 by the great Neapolitan artist Solimena after his own earlier painting of 1701, represents a scene adapted from "The Metamorphoses," the famous poem on the loves of the gods by the 1st-century Roman author Ovid. The north wind Boreas was in love with Orithya, the daughter of the king of Athens. She refused him, and, in anger, the god abducted the frightened young woman from amid her maidens-in-waiting. Flying cupids (little gods of love) symbolize the passion that motivated Boreas. The dramatic use of flickering patches of light and shadow is characteristic of Solimena's style although the color is less intense. Copies of popular compositions were avidly bought for inclusion in decorative arrangements.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 431, p. 543.
provenance
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unkonwn] [1881 catalogue: no. 230; 1897 catalogue: no. 454]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1730 (Baroque)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
98.8
height
135.2
dimensionsRaw
Painted surface H: 38 7/8 x W: 53 1/4 in. (98.8 x 135.2 cm)
Source extras
med
oil on canvas
creator_ids
5855
collection_ids
BAR
exhibition_ids
948
3026
108
Single page context
seq
1
pageIndex
0
type
photo
mediaId
94b3f01eeaae08ae