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The old man honored by a laurel wreath is Homer, the greatest poet of antiquity, identified by the inscription on the sheet of paper with the names of the cities that claimed Homer as a native. This imaginary portrait (no one knows what he looked like) is not so much a celebration of the author of the early Greek epic poems- The Iliad and The Odyssey- but of the fame that a poet could achieve.This splendid painting is dated but not signed. The forceful modeling suggests a Flemish painter influenced by Caravaggio (Italian, 1571-1610).
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- 5878b7536c212a44
- Size
- unknown
Document data
- ID
- 35475
- Core
- obj
- Type
- drawing
DTO data
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"contentType": "drawing",
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"title": "Idealized Portrait of the Poet Homer",
"description": "The old man honored by a laurel wreath is Homer, the greatest poet of antiquity, identified by the inscription on the sheet of paper with the names of the cities that claimed Homer as a native. This imaginary portrait (no one knows what he looked like) is not so much a celebration of the author of the early Greek epic poems- The Iliad and The Odyssey- but of the fame that a poet could achieve.This splendid painting is dated but not signed. The forceful modeling suggests a Flemish painter influenced by Caravaggio (Italian, 1571-1610).",
"provenance": "Don Marcello Massarenti Collection, Rome; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
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Context sent to Scholar
Document identity
{
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Document source metadata
{
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"contentType": "drawing",
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"title": "Idealized Portrait of the Poet Homer",
"description": "The old man honored by a laurel wreath is Homer, the greatest poet of antiquity, identified by the inscription on the sheet of paper with the names of the cities that claimed Homer as a native. This imaginary portrait (no one knows what he looked like) is not so much a celebration of the author of the early Greek epic poems- The Iliad and The Odyssey- but of the fame that a poet could achieve.This splendid painting is dated but not signed. The forceful modeling suggests a Flemish painter influenced by Caravaggio (Italian, 1571-1610).",
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Document source extras
{
"inscriptions": "Dated lower left.",
"med": "oil on panel",
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Page context
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