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This winter scene shows Chikuto at his most restrained, foregoing the rhythmic and compositional complexities of his most ambitious paintings. It is a distillation, a work in which the minimal means are essential to the mood.Chikuto took classical painting as his model. The composition--nearby trees, water, distant mountain--and the spare brushwork deliberately evoke paintings by the 14th-century Chinese master Ni Tsan. They are also intended to convey the feeling of winter.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 96deada1e937c8f8
- Size
- unknown
Document data
- ID
- 35770
- Core
- obj
- Type
- drawing
DTO data
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"contentType": "drawing",
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"title": "Fishing Alone on a Cold River",
"description": "This winter scene shows Chikuto at his most restrained, foregoing the rhythmic and compositional complexities of his most ambitious paintings. It is a distillation, a work in which the minimal means are essential to the mood.Chikuto took classical painting as his model. The composition--nearby trees, water, distant mountain--and the spare brushwork deliberately evoke paintings by the 14th-century Chinese master Ni Tsan. They are also intended to convey the feeling of winter.",
"provenance": "Ishinosuke Mizutani, Oriental Art Sekisen, Kyoto [date and mode of acquisition unknown]; Walters Art Museum, 1986, by purchase.",
"date": "1846 (late Edo)",
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"dimensionsRaw": "Image H: 51 7/8 x W: 18 1/4 in. (131.8 x 46.3 cm); Overall H: 30 1/2 x W: 25 1/2 in. (77.47 x 64.77 cm); W of scroll only: 23 1/4 in. (59 cm)"
}
Context sent to Scholar
Document identity
{
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Document source metadata
{
"id": "35770",
"sourceUrl": "https://purl.thewalters.org/art/35.134",
"contentType": "drawing",
"stage": "normalized",
"title": "Fishing Alone on a Cold River",
"description": "This winter scene shows Chikuto at his most restrained, foregoing the rhythmic and compositional complexities of his most ambitious paintings. It is a distillation, a work in which the minimal means are essential to the mood.Chikuto took classical painting as his model. The composition--nearby trees, water, distant mountain--and the spare brushwork deliberately evoke paintings by the 14th-century Chinese master Ni Tsan. They are also intended to convey the feeling of winter.",
"provenance": "Ishinosuke Mizutani, Oriental Art Sekisen, Kyoto [date and mode of acquisition unknown]; Walters Art Museum, 1986, by purchase.",
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Document source extras
{
"med": "ink and color on paper",
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Page context
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