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This winter scene shows Chikuto at his most restrained, foregoing the rhythmic and compositional complexities of his most ambitious paintings. It is a distillation, a work in which the minimal means are essential to the mood.Chikuto took classical painting as his model. The composition--nearby trees, water, distant mountain--and the spare brushwork deliberately evoke paintings by the 14th-century Chinese master Ni Tsan. They are also intended to convey the feeling of winter.

Page data

Page
1
Source index
0
Type
photo
Media ID
96deada1e937c8f8
Size
unknown

Document data

ID
35770
Core
obj
Type
drawing
DTO data
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    "id": "35770",
    "sourceUrl": "https://purl.thewalters.org/art/35.134",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Fishing Alone on a Cold River",
    "description": "This winter scene shows Chikuto at his most restrained, foregoing the rhythmic and compositional complexities of his most ambitious paintings. It is a distillation, a work in which the minimal means are essential to the mood.Chikuto took classical painting as his model. The composition--nearby trees, water, distant mountain--and the spare brushwork deliberately evoke paintings by the 14th-century Chinese master Ni Tsan. They are also intended to convey the feeling of winter.",
    "provenance": "Ishinosuke Mizutani, Oriental Art Sekisen, Kyoto [date and mode of acquisition unknown]; Walters Art Museum, 1986, by purchase.",
    "date": "1846 (late Edo)",
    "citationUrl": "https://purl.thewalters.org/art/35.134",
    "rightsUri": "CC0",
    "language": "en",
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    "source": "import",
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}

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Document identity
{
    "localId": "35770",
    "label": "Fishing Alone on a Cold River",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/35.134"
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Document source metadata
{
    "id": "35770",
    "sourceUrl": "https://purl.thewalters.org/art/35.134",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Fishing Alone on a Cold River",
    "description": "This winter scene shows Chikuto at his most restrained, foregoing the rhythmic and compositional complexities of his most ambitious paintings. It is a distillation, a work in which the minimal means are essential to the mood.Chikuto took classical painting as his model. The composition--nearby trees, water, distant mountain--and the spare brushwork deliberately evoke paintings by the 14th-century Chinese master Ni Tsan. They are also intended to convey the feeling of winter.",
    "provenance": "Ishinosuke Mizutani, Oriental Art Sekisen, Kyoto [date and mode of acquisition unknown]; Walters Art Museum, 1986, by purchase.",
    "date": "1846 (late Edo)",
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    "rightsUri": "CC0",
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}
Document source extras
{
    "med": "ink and color on paper",
    "creator_ids": [
        "7057"
    ],
    "collection_ids": [
        "JPK"
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    "exhibition_ids": []
}
Page context
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