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Source Description
After starting his career as a decorator at his father's porcelain factory, Dupré began to paint landscapes. He emerged at the Paris Salon of 1839 as one of the foremost French artists specializing in landscapes. He befriended the artists Constant Troyon and Théodore Rousseau and, in 1832, visited England, where he became acquainted with the British masters John Constable, Joseph Mallord William Turner, and Richard Parkes Bonnington. Although Dupré is associated with the Barbizon school of landscape painting, he preferred to work alone in the village of l'Îsle-Adam north of Paris. He specialized in forest scenes, often silhouetting trees against the sky. This view of the forest around l'Île-Adam illustrates his distinctively rich paint textures and the almost surrealist intensity of his colors. Careful examination reveals that he extended the original size of his canvas on all four sides.
Scholar Source Context
Document identity
localId
36169
label
The Old Oak
core
obj
dtoType
drawing
citationUrl
pageCount
5
Source metadata
id
36169
sourceUrl
contentType
drawing
stage
normalized
title
The Old Oak
description
After starting his career as a decorator at his father's porcelain factory, Dupré began to paint landscapes. He emerged at the Paris Salon of 1839 as one of the foremost French artists specializing in landscapes. He befriended the artists Constant Troyon and Théodore Rousseau and, in 1832, visited England, where he became acquainted with the British masters John Constable, Joseph Mallord William Turner, and Richard Parkes Bonnington. Although Dupré is associated with the Barbizon school of landscape painting, he preferred to work alone in the village of l'Îsle-Adam north of Paris. He specialized in forest scenes, often silhouetting trees against the sky. This view of the forest around l'Île-Adam illustrates his distinctively rich paint textures and the almost surrealist intensity of his colors. Careful examination reveals that he extended the original size of his canvas on all four sides.
provenance
Marquis de la Roche Bousseau, Paris, 1873 [no. 20] [mode of acquisition unknown]; Gavet Collection [date and mode of acquisition unknown]; William T. Walters, Baltimore, April 11, 1883, by purchase; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
date
1845-1850
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
imageCount
5
pageCount
5
source
import
dimensions
units
cm
width
72
height
61.5
dimensionsRaw
H: 28 3/8 x W: 24 3/16 in. (72 x 61.5 cm); Framed H: 41 15/16 × W: 37 11/16 × D: 4 15/16 in. (106.5 × 95.8 × 12.6 cm)
Source extras
inscriptions
[Signature] Lower left: Jules Dupré
RelatedObjects
80589
med
oil on fabric
creator_ids
6358
collection_ids
EAN
exhibition_ids
631
366
2749
3300
3818
Page inventory
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photo
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photo
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type
photo
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photo
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photo
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