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Held by his mother, the infant Christ instructs the Evangelist Mark (seated on a lion, his symbol) while blessing him with his right hand. St. Peter can be recognized by his keys. By representing the holy figures interacting, the painter has added liveliness to the otherwise static representation of the Virgin and Child flanked by saints. The placement of saintly figures in an idyllic landscape is characteristic of Venetian painting, which is also known for its pictorial naturalism and rich colors.In the Renaissance, a last name was often nothing more than the city of the person's origin. Polidoro was identified by his native town of Lanciano.For more information on this piece, please see Federico Zeri's 1976 catalogue no. 273, p. 400.

Page data

Page
2
Source index
0
Type
photo
Media ID
b10d6bad09a08102
Size
unknown

Document data

ID
36475
Core
obj
Type
drawing
DTO data
{
    "id": "36475",
    "sourceUrl": "https://purl.thewalters.org/art/37.515",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Madonna and Child with Saints Mark and Peter",
    "description": "Held by his mother, the infant Christ instructs the Evangelist Mark (seated on a lion, his symbol) while blessing him with his right hand. St. Peter can be recognized by his keys. By representing the holy figures interacting, the painter has added liveliness to the otherwise static representation of the Virgin and Child flanked by saints. The placement of saintly figures in an idyllic landscape is characteristic of Venetian painting, which is also known for its pictorial naturalism and rich colors.In the Renaissance, a last name was often nothing more than the city of the person's origin. Polidoro was identified by his native town of Lanciano.For more information on this piece, please see Federico Zeri's 1976 catalogue no. 273, p. 400.",
    "provenance": "Henry Walters, Baltimore, 1911, by purchase [Berenson as agent]; Walters Art Museum, 1931, by bequest.",
    "date": "1535-1540 (Baroque)",
    "citationUrl": "https://purl.thewalters.org/art/37.515",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "oil paintings (visual works)"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/CON_37.515_XR_1964.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/CON_37.515_XR_1964.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/CON_37.515_XR_1964.jpg",
    "imageCount": 2,
    "pageCount": 2,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 59.2,
            "height": 82.2
        }
    ],
    "dimensionsRaw": "Painted surface H: 23 5/16 x W: 32 3/8 in. (59.2 x 82.2 cm); Stretcher H: 24 5/16 x W: 33 1/16 in. (61.7 x 84 cm); Framed H: 38 x W: 46 1/2 x D: 5 in. (96.52 x 118.11 x 12.7 cm)"
}

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Document identity
{
    "localId": "36475",
    "label": "Madonna and Child with Saints Mark and Peter",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.515"
}
Document source metadata
{
    "id": "36475",
    "sourceUrl": "https://purl.thewalters.org/art/37.515",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Madonna and Child with Saints Mark and Peter",
    "description": "Held by his mother, the infant Christ instructs the Evangelist Mark (seated on a lion, his symbol) while blessing him with his right hand. St. Peter can be recognized by his keys. By representing the holy figures interacting, the painter has added liveliness to the otherwise static representation of the Virgin and Child flanked by saints. The placement of saintly figures in an idyllic landscape is characteristic of Venetian painting, which is also known for its pictorial naturalism and rich colors.In the Renaissance, a last name was often nothing more than the city of the person's origin. Polidoro was identified by his native town of Lanciano.For more information on this piece, please see Federico Zeri's 1976 catalogue no. 273, p. 400.",
    "provenance": "Henry Walters, Baltimore, 1911, by purchase [Berenson as agent]; Walters Art Museum, 1931, by bequest.",
    "date": "1535-1540 (Baroque)",
    "citationUrl": "https://purl.thewalters.org/art/37.515",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "oil paintings (visual works)"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/CON_37.515_XR_1964.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/CON_37.515_XR_1964.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/CON_37.515_XR_1964.jpg",
    "imageCount": 2,
    "pageCount": 2,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 59.2,
            "height": 82.2
        }
    ],
    "dimensionsRaw": "Painted surface H: 23 5/16 x W: 32 3/8 in. (59.2 x 82.2 cm); Stretcher H: 24 5/16 x W: 33 1/16 in. (61.7 x 84 cm); Framed H: 38 x W: 46 1/2 x D: 5 in. (96.52 x 118.11 x 12.7 cm)"
}
Document source extras
{
    "med": "oil on canvas",
    "creator_ids": [
        "3316"
    ],
    "collection_ids": [
        "REN"
    ],
    "exhibition_ids": [
        "2241"
    ]
}
Page context
{
    "seq": 2,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/CON_37.515_XR_1964.jpg",
    "mediaId": "b10d6bad09a08102"
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