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This watercolor is a study for La Farge's "Resurrection" window of 1894 for the First Congregational United Church of Christ, Methuen, Massachusetts, a memorial for local industrialist Henry Coffin Nevins (1843-1892). The enormous window measures 17 feet across and 11 feet high, and is said to contain some 8,000 pieces of glass. Julie Fanchette Henriette Nevins (d. 1904), Nevins' widow had brought La Farge to see the church in 1892, but unimpressed by the space he pursuaded her to build a new chancel with a single monumental window opening to frame his work. The chancel was designed by La Farge's son, the architect C. Grant La Farge of the firm Heins and La Farge (see James L. Yarnall, "John La Farge: A Biographic and Critical Study," 2012, p. 212). Christ appears in the center of the design in white surrounded by light, while robed figures to either side push away dark clouds. The finished window follows this study very closely (see Adams, Foster et al, "John La Farge," 1987, p. 214-218).

Page data

Page
2
Source index
0
Type
photo
Media ID
315993e65dcbf554
Size
unknown

Document data

ID
36507
Core
obj
Type
drawing
DTO data
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    "id": "36507",
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    "contentType": "drawing",
    "stage": "normalized",
    "title": "\"\"Resurrection,\"\" Study for the Colonel Henry Coffin Nevins Memorial Window",
    "description": "This watercolor is a study for La Farge's \"Resurrection\" window of 1894 for the First Congregational United Church of Christ, Methuen, Massachusetts, a memorial for local industrialist Henry Coffin Nevins (1843-1892). The enormous window measures 17 feet across and 11 feet high, and is said to contain some 8,000 pieces of glass. Julie Fanchette Henriette Nevins (d. 1904), Nevins' widow had brought La Farge to see the church in 1892, but unimpressed by the space he pursuaded her to build a new chancel with a single monumental window opening to frame his work. The chancel was designed by La Farge's son, the architect C. Grant La Farge of the firm Heins and La Farge (see James L. Yarnall, \"John La Farge: A Biographic and Critical Study,\" 2012, p. 212). Christ appears in the center of the design in white surrounded by light, while robed figures to either side push away dark clouds. The finished window follows this study very closely (see Adams, Foster et al, \"John La Farge,\" 1987, p. 214-218).",
    "provenance": "Owned by William Macbeth, New York; purchased by Henry Walters, New York, December 1907; by bequest to Walters Art Museum, 1931.",
    "date": "1894",
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Context sent to Scholar

Document identity
{
    "localId": "36507",
    "label": "\"\"Resurrection,\"\" Study for the Colonel Henry Coffin Nevins Memorial Window",
    "core": "obj",
    "dtoType": "drawing",
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Document source metadata
{
    "id": "36507",
    "sourceUrl": "https://purl.thewalters.org/art/37.1981",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "\"\"Resurrection,\"\" Study for the Colonel Henry Coffin Nevins Memorial Window",
    "description": "This watercolor is a study for La Farge's \"Resurrection\" window of 1894 for the First Congregational United Church of Christ, Methuen, Massachusetts, a memorial for local industrialist Henry Coffin Nevins (1843-1892). The enormous window measures 17 feet across and 11 feet high, and is said to contain some 8,000 pieces of glass. Julie Fanchette Henriette Nevins (d. 1904), Nevins' widow had brought La Farge to see the church in 1892, but unimpressed by the space he pursuaded her to build a new chancel with a single monumental window opening to frame his work. The chancel was designed by La Farge's son, the architect C. Grant La Farge of the firm Heins and La Farge (see James L. Yarnall, \"John La Farge: A Biographic and Critical Study,\" 2012, p. 212). Christ appears in the center of the design in white surrounded by light, while robed figures to either side push away dark clouds. The finished window follows this study very closely (see Adams, Foster et al, \"John La Farge,\" 1987, p. 214-218).",
    "provenance": "Owned by William Macbeth, New York; purchased by Henry Walters, New York, December 1907; by bequest to Walters Art Museum, 1931.",
    "date": "1894",
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Document source extras
{
    "inscriptions": "[Signed and dated] lower left: J. Lafarge '94",
    "med": "watercolor on paper",
    "creator_ids": [
        "7118"
    ],
    "collection_ids": [
        "EAN"
    ],
    "exhibition_ids": [
        "3031"
    ]
}
Page context
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