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The roof and one wing of the Hoodo, the phoenix hall and main building, at the Byodo-in in Uji appears rising above the trees in this graden setting. In the distance a hill rises up to meet gold clouds as they drift across this six-fold screen, or byobu.Thiis screen shows a famous Buddhist temple south of Kyoto and is a one of a pair with "Kamigamo Shrine in Summer" (35.147). Working in the style of the 18th-century master Okyo, Mori Kansai wanted the two screens to contrast not only in terms of religion (Buddhist, Shinto), space (south, north), and season (winter, summer) but in the way they are painted--with a sharp contrast of light and dark in "Winter," a subtle gradation in "Summer."
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 7993bfa80a83994f
- Size
- unknown
Document data
- ID
- 37000
- Core
- obj
- Type
- drawing
DTO data
{
"id": "37000",
"sourceUrl": "https://purl.thewalters.org/art/35.148",
"contentType": "drawing",
"stage": "normalized",
"title": "Byodo-in Temple in Winter",
"description": "The roof and one wing of the Hoodo, the phoenix hall and main building, at the Byodo-in in Uji appears rising above the trees in this graden setting. In the distance a hill rises up to meet gold clouds as they drift across this six-fold screen, or byobu.Thiis screen shows a famous Buddhist temple south of Kyoto and is a one of a pair with \"Kamigamo Shrine in Summer\" (35.147). Working in the style of the 18th-century master Okyo, Mori Kansai wanted the two screens to contrast not only in terms of religion (Buddhist, Shinto), space (south, north), and season (winter, summer) but in the way they are painted--with a sharp contrast of light and dark in \"Winter,\" a subtle gradation in \"Summer.\"",
"provenance": "[Dealer] Osaka; Toyobi Far Eastern Art [Dr. Frederick Baekeland and Joan D. Baekeland], 1987-1988 [date and mode of acquisition unknown]; Walters Art Museum, 1989, by purchase.",
"date": "1860-1870 (Edo-Meiji)",
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"rightsUri": "CC0",
"language": "en",
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"dimensionsRaw": "H: 18 1/2 x W: 53 3/4 in. (47 x 136.5 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "37000",
"label": "Byodo-in Temple in Winter",
"core": "obj",
"dtoType": "drawing",
"citationUrl": "https://purl.thewalters.org/art/35.148"
}
Document source metadata
{
"id": "37000",
"sourceUrl": "https://purl.thewalters.org/art/35.148",
"contentType": "drawing",
"stage": "normalized",
"title": "Byodo-in Temple in Winter",
"description": "The roof and one wing of the Hoodo, the phoenix hall and main building, at the Byodo-in in Uji appears rising above the trees in this graden setting. In the distance a hill rises up to meet gold clouds as they drift across this six-fold screen, or byobu.Thiis screen shows a famous Buddhist temple south of Kyoto and is a one of a pair with \"Kamigamo Shrine in Summer\" (35.147). Working in the style of the 18th-century master Okyo, Mori Kansai wanted the two screens to contrast not only in terms of religion (Buddhist, Shinto), space (south, north), and season (winter, summer) but in the way they are painted--with a sharp contrast of light and dark in \"Winter,\" a subtle gradation in \"Summer.\"",
"provenance": "[Dealer] Osaka; Toyobi Far Eastern Art [Dr. Frederick Baekeland and Joan D. Baekeland], 1987-1988 [date and mode of acquisition unknown]; Walters Art Museum, 1989, by purchase.",
"date": "1860-1870 (Edo-Meiji)",
"citationUrl": "https://purl.thewalters.org/art/35.148",
"rightsUri": "CC0",
"language": "en",
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Document source extras
{
"cul": "Japanese",
"inscriptions": "[Signature] Lower left side of left hand panel: Kansai Mori Koshuku hitsu; [Seal] Tachibana Koshuku in: Jinichi Shiyo",
"RelatedObjects": 35616,
"med": "ink and gold wash on paper with hints of color",
"creator_ids": [
"5549"
],
"collection_ids": [
"JPK"
],
"exhibition_ids": []
}
Page context
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