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Source Description

The heat of the noonday sun is palpable in this painting as drooling oxen drag a plough. They are followed by a man whose face is obscured by a hat, which shields him from the bright sun, while birds peck at the furrow left in their wake. Rosa Bonheur was among the most celebrated painters of animals in the 19th century. She frequently depicted plowing scenes that highlighted her command of animal anatomy, which she studied through dissection. This scene reverses the composition of her first work to gain major celebrity: “Ploughing in the Nivernais,” which was exhibited at the Salon and won a medal in 1849. In 1857–58 Rosa Bonheur’s fame and success in the United States was secured by the national tour of her dramatic 16-ft. (five-meter)-wide oil painting, The Horse Fair. The tour was organized by the dealer Ernest Gambart, who played a significant role in fostering a taste for European art among American collectors. Undocumented in any of the early catalogues of the Walters Art Museum, this painting seems to have been acquired by Henry Walters during the last few years of his life. The most successful and celebrated female artist of her time, in 1860, Bonheur purchased the château of By in the village of Thomery, not far from Barbizon, where she lived with a menagerie of exotic animals.

Scholar Source Context

Document identity
localId
37377
label
Ploughing Scene
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
37377
contentType
drawing
stage
normalized
title
Ploughing Scene
description
The heat of the noonday sun is palpable in this painting as drooling oxen drag a plough. They are followed by a man whose face is obscured by a hat, which shields him from the bright sun, while birds peck at the furrow left in their wake. Rosa Bonheur was among the most celebrated painters of animals in the 19th century. She frequently depicted plowing scenes that highlighted her command of animal anatomy, which she studied through dissection. This scene reverses the composition of her first work to gain major celebrity: “Ploughing in the Nivernais,” which was exhibited at the Salon and won a medal in 1849. In 1857–58 Rosa Bonheur’s fame and success in the United States was secured by the national tour of her dramatic 16-ft. (five-meter)-wide oil painting, The Horse Fair. The tour was organized by the dealer Ernest Gambart, who played a significant role in fostering a taste for European art among American collectors. Undocumented in any of the early catalogues of the Walters Art Museum, this painting seems to have been acquired by Henry Walters during the last few years of his life. The most successful and celebrated female artist of her time, in 1860, Bonheur purchased the château of By in the village of Thomery, not far from Barbizon, where she lived with a menagerie of exotic animals.
provenance
Ernest Gambart [date and mode of acquisition unknown]. Probably Henry Walters, Baltimore, [date of acquisition unknown] [1]; Walters Art Museum, 1931, by bequest.[1] the entry of this painting into the Walters collection is undocumented, it may have been purchased by Henry Walters after 1929, the date of the last complete catalog of the collection.
date
1854
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
49.5
height
80.5
dimensionsRaw
H: 19 1/2 x W: 31 11/16 in. (49.5 x 80.5 cm); Framed H: 31 1/2 x W: 43 3/4 x D: 5 5/8 in. (80.01 x 111.13 x 14.29 cm)
Source extras
inscriptions
[Signature] Lower right: Rosa Bonheur; [Date] Lower right: 1854
med
oil on canvas
creator_ids
7564
collection_ids
EAN
exhibition_ids
1955
2113
2159
615
442
6
366
2749
28
3004
3300
3818
Single page context
seq
1
pageIndex
0
type
photo
mediaId
f3858553500c2106