Ask the Scholar

Page 1 of 1
I can add historical knowledge about this page.

Page image

Page 1

Document source description

The glittering embroidery on the sitter's ermine-trimmed jacket recalls 17th-century Polish uniforms and suggests that he may have been a member of a visiting delegation to Rome.Born and trained in Genoa, Baciccio, once in Rome, became a protégé of the great sculptor and architect Gian Lorenzo Bernini, who helped him obtain commissions. The open, upturned hand is a gesture associated with conversation, in this case, presumably with the viewer. This, along with the way the sitter leans slightly to one side, gives the portrait a sense of spontaneity that recalls Bernini's lively style.For more information on this portrait, please see Federico Zeri's 1976 catalogue no. 325, p. 452.

Page data

Page
1
Source index
0
Type
photo
Media ID
4d38cca0d48a4460
Size
unknown

Document data

ID
37708
Core
obj
Type
drawing
DTO data
{
    "id": "37708",
    "sourceUrl": "https://purl.thewalters.org/art/37.1832",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Portrait of a Man",
    "description": "The glittering embroidery on the sitter's ermine-trimmed jacket recalls 17th-century Polish uniforms and suggests that he may have been a member of a visiting delegation to Rome.Born and trained in Genoa, Baciccio, once in Rome, became a protégé of the great sculptor and architect Gian Lorenzo Bernini, who helped him obtain commissions. The open, upturned hand is a gesture associated with conversation, in this case, presumably with the viewer. This, along with the way the sitter leans slightly to one side, gives the portrait a sense of spontaneity that recalls Bernini's lively style.For more information on this portrait, please see Federico Zeri's 1976 catalogue no. 325, p. 452.",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 790, as Louis M. van Loo]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1700 (Baroque)",
    "citationUrl": "https://purl.thewalters.org/art/37.1832",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "portraits",
        "oil paintings"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL1_37.1832_Fnt_TR_T03V.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL1_37.1832_Fnt_TR_T03V.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL1_37.1832_Fnt_TR_T03V.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 90.1,
            "height": 76.7
        }
    ],
    "dimensionsRaw": "H: 35 1/2 x W: 30 3/16 in. (90.1 x 76.7 cm); Painted surface H: 27 1/16 x W: 21 7/8 in. (68.7 x 55.5 cm)"
}

Context sent to Scholar

Document identity
{
    "localId": "37708",
    "label": "Portrait of a Man",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.1832"
}
Document source metadata
{
    "id": "37708",
    "sourceUrl": "https://purl.thewalters.org/art/37.1832",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Portrait of a Man",
    "description": "The glittering embroidery on the sitter's ermine-trimmed jacket recalls 17th-century Polish uniforms and suggests that he may have been a member of a visiting delegation to Rome.Born and trained in Genoa, Baciccio, once in Rome, became a protégé of the great sculptor and architect Gian Lorenzo Bernini, who helped him obtain commissions. The open, upturned hand is a gesture associated with conversation, in this case, presumably with the viewer. This, along with the way the sitter leans slightly to one side, gives the portrait a sense of spontaneity that recalls Bernini's lively style.For more information on this portrait, please see Federico Zeri's 1976 catalogue no. 325, p. 452.",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 790, as Louis M. van Loo]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1700 (Baroque)",
    "citationUrl": "https://purl.thewalters.org/art/37.1832",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "portraits",
        "oil paintings"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL1_37.1832_Fnt_TR_T03V.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL1_37.1832_Fnt_TR_T03V.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL1_37.1832_Fnt_TR_T03V.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 90.1,
            "height": 76.7
        }
    ],
    "dimensionsRaw": "H: 35 1/2 x W: 30 3/16 in. (90.1 x 76.7 cm); Painted surface H: 27 1/16 x W: 21 7/8 in. (68.7 x 55.5 cm)"
}
Document source extras
{
    "med": "oil on canvas",
    "creator_ids": [
        "2051"
    ],
    "collection_ids": [
        "BAR"
    ],
    "exhibition_ids": [
        "2959"
    ]
}
Page context
{
    "seq": 1,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/PL1_37.1832_Fnt_TR_T03V.jpg",
    "mediaId": "4d38cca0d48a4460"
}