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The head of a large workshop, Bernardo Daddi was one of the most prolific painters of 14th-century Florence. This work is the central panel of a polyptych, or multi-panel altarpiece, and would have been flanked by images of saints. The painter gave the Madonna and Child a physical, three-dimensional presence by making their fingers disappear behind the fabric of their clothing. Christ's right arm also extends behind the Virgin's left shoulder. The linear decoration cut into the haloes and the minimal use of punch-work in the gold ground is typical of Florentine painting of this period.For more information on this piece, please see Zeri catalogue number 4, pp. 8-9.

Page data

Page
2
Source index
0
Type
photo
Media ID
f5460d78edebd048
Size
unknown

Document data

ID
38112
Core
obj
Type
drawing
DTO data
{
    "id": "38112",
    "sourceUrl": "https://purl.thewalters.org/art/37.553",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Madonna and Child",
    "description": "The head of a large workshop, Bernardo Daddi was one of the most prolific painters of 14th-century Florence. This work is the central panel of a polyptych, or multi-panel altarpiece, and would have been flanked by images of saints. The painter gave the Madonna and Child a physical, three-dimensional presence by making their fingers disappear behind the fabric of their clothing. Christ's right arm also extends behind the Virgin's left shoulder. The linear decoration cut into the haloes and the minimal use of punch-work in the gold ground is typical of Florentine painting of this period.For more information on this piece, please see Zeri catalogue number 4, pp. 8-9.",
    "provenance": "Bernard Berenson [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1911, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1345-1349 (Medieval)",
    "citationUrl": "https://purl.thewalters.org/art/37.553",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "polyptychs",
        "paintings"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL7_37.553_Fnt_SL.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL7_37.553_Fnt_SL.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL7_37.553_Fnt_SL.jpg",
    "imageCount": 2,
    "pageCount": 2,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 68.8,
            "height": 46.8
        }
    ],
    "dimensionsRaw": "Surviving painted and gilded surface H: 27 1/16 x W: 18 7/16 in. (68.8 x 46.8 cm); Surviving original panel H: 27 5/16 x W: 18 7/16 x D: 13/16 in. (69.3 x 46.8 x 2 cm); Framed H: 34 13/16 × W: 22 1/16 × D: 1 3/8 in. (88.5 × 56 × 3.5 cm)",
    "style": "Gothic"
}

Context sent to Scholar

Document identity
{
    "localId": "38112",
    "label": "Madonna and Child",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.553"
}
Document source metadata
{
    "id": "38112",
    "sourceUrl": "https://purl.thewalters.org/art/37.553",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Madonna and Child",
    "description": "The head of a large workshop, Bernardo Daddi was one of the most prolific painters of 14th-century Florence. This work is the central panel of a polyptych, or multi-panel altarpiece, and would have been flanked by images of saints. The painter gave the Madonna and Child a physical, three-dimensional presence by making their fingers disappear behind the fabric of their clothing. Christ's right arm also extends behind the Virgin's left shoulder. The linear decoration cut into the haloes and the minimal use of punch-work in the gold ground is typical of Florentine painting of this period.For more information on this piece, please see Zeri catalogue number 4, pp. 8-9.",
    "provenance": "Bernard Berenson [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1911, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1345-1349 (Medieval)",
    "citationUrl": "https://purl.thewalters.org/art/37.553",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "polyptychs",
        "paintings"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL7_37.553_Fnt_SL.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL7_37.553_Fnt_SL.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL7_37.553_Fnt_SL.jpg",
    "imageCount": 2,
    "pageCount": 2,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 68.8,
            "height": 46.8
        }
    ],
    "dimensionsRaw": "Surviving painted and gilded surface H: 27 1/16 x W: 18 7/16 in. (68.8 x 46.8 cm); Surviving original panel H: 27 5/16 x W: 18 7/16 x D: 13/16 in. (69.3 x 46.8 x 2 cm); Framed H: 34 13/16 × W: 22 1/16 × D: 1 3/8 in. (88.5 × 56 × 3.5 cm)",
    "style": "Gothic"
}
Document source extras
{
    "cul": "Medieval European",
    "med": "tempera and gold leaf on panel",
    "creator_ids": [
        "15775"
    ],
    "collection_ids": [
        "MED"
    ],
    "exhibition_ids": [
        "335"
    ]
}
Page context
{
    "seq": 2,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/PL7_37.553_Fnt_BW_T88.jpg",
    "mediaId": "f5460d78edebd048"
}