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During an 1886-89 stay in Paris, this Boston painter experimented with working in oils outdoors. He gradually abandoned the dark-toned palette of the Barbizon masters for the brighter colors of the French Impressionists. Hassam named this study of a nude model, painted as if posed on a cliff, after the siren in the German poet Heinrich Heine's "Die Lorelei" (1827). In the poem, the Lorelei, a water spirit dwelling in the treacherous rocks along the Rhine River, lures ships to their destruction with her tantalizing singing:Night falls as I linger, dreaming, And calmly flows the Rhine;The Peaks of the mountains gleaming In the golden sunset shine.A wondrous lovely maiden Sits high in glory there;Her robe with gems is laden, And she combs out her golden hair.

Page data

Page
3
Source index
0
Type
photo
Media ID
aefc6e7a038bdcbb
Size
unknown

Document data

ID
39695
Core
obj
Type
drawing
DTO data
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    "sourceUrl": "https://purl.thewalters.org/art/37.310",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "The Lorelei",
    "description": "During an 1886-89 stay in Paris, this Boston painter experimented with working in oils outdoors. He gradually abandoned the dark-toned palette of the Barbizon masters for the brighter colors of the French Impressionists. Hassam named this study of a nude model, painted as if posed on a cliff, after the siren in the German poet Heinrich Heine's \"Die Lorelei\" (1827). In the poem, the Lorelei, a water spirit dwelling in the treacherous rocks along the Rhine River, lures ships to their destruction with her tantalizing singing:Night falls as I linger, dreaming,  And calmly flows the Rhine;The Peaks of the mountains gleaming  In the golden sunset shine.A wondrous lovely maiden  Sits high in glory there;Her robe with gems is laden,  And she combs out her golden hair.",
    "provenance": "Purchased by Henry Walters, Baltimore, possibly 1905 [1]; by bequest to Walters Art Museum, 1931.[1] this painting was possibly acquired at the National Academy of Design exhibition of 1905, where it won the Thomas B. Clarke Prize",
    "date": "1904",
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}

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Document identity
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Document source metadata
{
    "id": "39695",
    "sourceUrl": "https://purl.thewalters.org/art/37.310",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "The Lorelei",
    "description": "During an 1886-89 stay in Paris, this Boston painter experimented with working in oils outdoors. He gradually abandoned the dark-toned palette of the Barbizon masters for the brighter colors of the French Impressionists. Hassam named this study of a nude model, painted as if posed on a cliff, after the siren in the German poet Heinrich Heine's \"Die Lorelei\" (1827). In the poem, the Lorelei, a water spirit dwelling in the treacherous rocks along the Rhine River, lures ships to their destruction with her tantalizing singing:Night falls as I linger, dreaming,  And calmly flows the Rhine;The Peaks of the mountains gleaming  In the golden sunset shine.A wondrous lovely maiden  Sits high in glory there;Her robe with gems is laden,  And she combs out her golden hair.",
    "provenance": "Purchased by Henry Walters, Baltimore, possibly 1905 [1]; by bequest to Walters Art Museum, 1931.[1] this painting was possibly acquired at the National Academy of Design exhibition of 1905, where it won the Thomas B. Clarke Prize",
    "date": "1904",
    "citationUrl": "https://purl.thewalters.org/art/37.310",
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}
Document source extras
{
    "inscriptions": "[Signature] Lower right: Childe Hassam; [Date] Lower right: 1904",
    "med": "oil on canvas",
    "creator_ids": [
        "2444"
    ],
    "collection_ids": [
        "EAN"
    ],
    "exhibition_ids": [
        "2728"
    ]
}
Page context
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