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Source Description

Giovanni Bellini was the leading Venetian artist of his era and particularly known for his naturalistic depiction of light. He and members of his workshop painted this work as a commemorative piece to adorn the rooms of the Procuratia di Ultra, one of the most important public offices of the Republic of Venice. The procurators, high-ranking officials who administered public affairs and resolved judicial disputes, are depicted as kneeling donors before the Madonna and Child, who are seated on a lavish throne. They have been identified as Tomaso Mocenigo, Luca Zeno, and Domenico Trevisano. The saints are the apostle Peter with his keys to Paradise and Mark, one of the patron saints of Venice. The painting was made as a votive offering, thanking the Virgin for her protection of the Venetian Republic.

Scholar Source Context

Document identity
localId
40308
label
Madonna and Child with Saints Peter and Mark and Three Venetian Procurators
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
40308
contentType
drawing
stage
normalized
title
Madonna and Child with Saints Peter and Mark and Three Venetian Procurators
description
Giovanni Bellini was the leading Venetian artist of his era and particularly known for his naturalistic depiction of light. He and members of his workshop painted this work as a commemorative piece to adorn the rooms of the Procuratia di Ultra, one of the most important public offices of the Republic of Venice. The procurators, high-ranking officials who administered public affairs and resolved judicial disputes, are depicted as kneeling donors before the Madonna and Child, who are seated on a lavish throne. They have been identified as Tomaso Mocenigo, Luca Zeno, and Domenico Trevisano. The saints are the apostle Peter with his keys to Paradise and Mark, one of the patron saints of Venice. The painting was made as a votive offering, thanking the Virgin for her protection of the Venetian Republic.
provenance
Procuratia di Ultra, Venice, 1510 [until at least 1797]; Baron C. F. Wendelstadt, Frankfurt, prior to 1828 [1]; Wolsey Moreau, prior to 1868; Raymond Balse, prior to 1873. Berenson (?). Henry Walters, Baltimore, prior to 1916; by bequest to Walters Art Museum, 1931.[1] 1828 catalogue: no. 15
date
1510 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
91.8
height
150.2
depth
5.1
dimensionsRaw
H: 36 1/8 × W: 59 1/8 × D: 2 in. (91.76 × 150.18 × 5.08 cm); Framed H: 52 1/2 × W: 70 5/8 × D: 6 1/4 in. (133.35 × 179.39 × 15.88 cm)
Source extras
cul
Italian Renaissance
med
tempera and oil on canvas mounted on wood
creator_ids
2106
2106
collection_ids
REN
exhibition_ids
1992
3444
Single page context
seq
1
pageIndex
0
type
photo
mediaId
51facaf7d919fd0b