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Before moving to Paris in 1854, Bonnat trained in Madrid. The stark realism and sharp contrasts in light and shadow of Bonnat's mature style reflect the influence of the great 17th-century Spanish master Diego Velázquez. Until the late 1870s, Bonnat specialized in historical subjects and scenes inspired by a visit to the Holy Land and Egypt undertaken with J.-L. Gérôme in 1868-1869. During the early years of France's Third Republic (1870-1940), however, Bonnat gained an international following for his dramatically illuminated portraits of statesmen and leaders in many fields. Because of their shared admiration for the animal sculptures of the French artist Antoine-Louis Barye, a close association developed between Bonnat, Walters, and the Baltimore expatriate and art consultant George A. Lucas.

Page data

Page
1
Source index
0
Type
photo
Media ID
5a98abb5348883e5
Size
unknown

Document data

ID
40555
Core
obj
Type
drawing
DTO data
{
    "id": "40555",
    "sourceUrl": "https://purl.thewalters.org/art/37.758",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Portrait of William T. Walters",
    "description": "Before moving to Paris in 1854, Bonnat trained in Madrid. The stark realism and sharp contrasts in light and shadow of Bonnat's mature style reflect the influence of the great 17th-century Spanish master Diego Velázquez. Until the late 1870s, Bonnat specialized in historical subjects and scenes inspired by a visit to the Holy Land and Egypt undertaken with J.-L. Gérôme in 1868-1869. During the early years of France's Third Republic (1870-1940), however, Bonnat gained an international following for his dramatically illuminated portraits of statesmen and leaders in many fields. Because of their shared admiration for the animal sculptures of the French artist Antoine-Louis Barye, a close association developed between Bonnat, Walters, and the Baltimore expatriate and art consultant George A. Lucas.",
    "provenance": "Commissioned by William T. Walters (through George A. Lucas as agent), Baltimore, March 30, 1883 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.[1] The Diary of George A. Lucas, p. 560.",
    "date": "1883",
    "citationUrl": "https://purl.thewalters.org/art/37.758",
    "rightsUri": "CC0",
    "language": "en",
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    "largeImageUrl": "https://art.thewalters.org/images/art/PL1_37.758_Fnt_TR_C80II.jpg",
    "imageCount": 1,
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    "source": "import",
    "dimensions": [
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            "units": "cm",
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        }
    ],
    "dimensionsRaw": "H: 56 1/2 x W: 40 9/16 in. (143.5 x 103 cm) Framed: H 70 3/8 × W: 54 1/2 × D: 4 1/2 in. (178.75 × 138.43 × 11.43 cm)"
}

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Document identity
{
    "localId": "40555",
    "label": "Portrait of William T. Walters",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.758"
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Document source metadata
{
    "id": "40555",
    "sourceUrl": "https://purl.thewalters.org/art/37.758",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Portrait of William T. Walters",
    "description": "Before moving to Paris in 1854, Bonnat trained in Madrid. The stark realism and sharp contrasts in light and shadow of Bonnat's mature style reflect the influence of the great 17th-century Spanish master Diego Velázquez. Until the late 1870s, Bonnat specialized in historical subjects and scenes inspired by a visit to the Holy Land and Egypt undertaken with J.-L. Gérôme in 1868-1869. During the early years of France's Third Republic (1870-1940), however, Bonnat gained an international following for his dramatically illuminated portraits of statesmen and leaders in many fields. Because of their shared admiration for the animal sculptures of the French artist Antoine-Louis Barye, a close association developed between Bonnat, Walters, and the Baltimore expatriate and art consultant George A. Lucas.",
    "provenance": "Commissioned by William T. Walters (through George A. Lucas as agent), Baltimore, March 30, 1883 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.[1] The Diary of George A. Lucas, p. 560.",
    "date": "1883",
    "citationUrl": "https://purl.thewalters.org/art/37.758",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
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    "iiifBase": "https://art.thewalters.org/images/art/PL1_37.758_Fnt_TR_C80II.jpg",
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}
Document source extras
{
    "inscriptions": "[Signature] Lower right: Leon Bonnat;  [Date] Lower right: 1883",
    "med": "oil on canvas",
    "creator_ids": [
        "8045"
    ],
    "collection_ids": [
        "EAN"
    ],
    "exhibition_ids": [
        "2113",
        "484",
        "3300"
    ]
}
Page context
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    "url": "https://art.thewalters.org/images/raw/PL1_37.758_Fnt_TR_C80II.jpg",
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