Ask the Scholar

Page 1 of 1
I can add historical knowledge about this page.

Page image

Page 1

Document source description

The archangel Gabriel announces to the Virgin Mary that she will bear the Christ Child, while God the Father and the Holy Ghost (in the form of a dove) appear above left. The white lilies Gabriel holds are symbolic of the Virgin's chastity.The painter has depicted the loggia of the Church of the Santissima Annunziata (Annunciate Mary) in Florence behind his own Annunciation scene, revealing his pride in being a Florentine artist. The elongated and graceful style and the decorously draped figures were characteristic of Florentine painting of the late 16th century.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 227, pp. 343-344.

Page data

Page
1
Source index
0
Type
photo
Media ID
3747fd674c798447
Size
unknown

Document data

ID
4625
Core
obj
Type
drawing
DTO data
{
    "id": "4625",
    "sourceUrl": "https://purl.thewalters.org/art/37.1677",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "The Annunciation",
    "description": "The archangel Gabriel announces to the Virgin Mary that she will bear the Christ Child, while God the Father and the Holy Ghost (in the form of a dove) appear above left. The white lilies Gabriel holds are symbolic of the Virgin's chastity.The painter has depicted the loggia of the Church of the Santissima Annunziata (Annunciate Mary) in Florence behind his own Annunciation scene, revealing his pride in being a Florentine artist. The elongated and graceful style and the decorously draped figures were characteristic of Florentine painting of the late 16th century.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 227, pp. 343-344.",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 267, as Marcello Venusti]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1580 (Renaissance)",
    "citationUrl": "https://purl.thewalters.org/art/37.1677",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "oil paintings (visual works)",
        "panel paintings"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL9_37.1677_Fnt_SL.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL9_37.1677_Fnt_SL.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL9_37.1677_Fnt_SL.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 105.5,
            "height": 81.7,
            "depth": 1.1
        }
    ],
    "dimensionsRaw": "Painted surface H: 41 9/16 x W: 32 3/16 x D excluding cradle: 7/16 in. (105.5 x 81.7 x 1.1 cm)"
}

Context sent to Scholar

Document identity
{
    "localId": "4625",
    "label": "The Annunciation",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.1677"
}
Document source metadata
{
    "id": "4625",
    "sourceUrl": "https://purl.thewalters.org/art/37.1677",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "The Annunciation",
    "description": "The archangel Gabriel announces to the Virgin Mary that she will bear the Christ Child, while God the Father and the Holy Ghost (in the form of a dove) appear above left. The white lilies Gabriel holds are symbolic of the Virgin's chastity.The painter has depicted the loggia of the Church of the Santissima Annunziata (Annunciate Mary) in Florence behind his own Annunciation scene, revealing his pride in being a Florentine artist. The elongated and graceful style and the decorously draped figures were characteristic of Florentine painting of the late 16th century.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 227, pp. 343-344.",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 267, as Marcello Venusti]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1580 (Renaissance)",
    "citationUrl": "https://purl.thewalters.org/art/37.1677",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "oil paintings (visual works)",
        "panel paintings"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL9_37.1677_Fnt_SL.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL9_37.1677_Fnt_SL.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL9_37.1677_Fnt_SL.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 105.5,
            "height": 81.7,
            "depth": 1.1
        }
    ],
    "dimensionsRaw": "Painted surface H: 41 9/16 x W: 32 3/16 x D excluding cradle: 7/16 in. (105.5 x 81.7 x 1.1 cm)"
}
Document source extras
{
    "med": "oil on panel",
    "creator_ids": [
        "4797"
    ],
    "collection_ids": [
        "REN"
    ],
    "exhibition_ids": [
        "2239"
    ]
}
Page context
{
    "seq": 1,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/PL9_37.1677_Fnt_SL.jpg",
    "mediaId": "3747fd674c798447"
}