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Daubigny spanned two generations of artists-the Barbizon school painters and the early impressionists. In his youth, he copied the works of the 17th-century masters Jacob van Ruisdael and Nicolas Poussin in the Louvre Museum, and, by the mid-1830s, he was painting in the forests on the outskirts of Paris. Daubigny befriended Théodore Rousseau and Jules Breton and, in the 1850s, began to work closely with Camille Corot. Even more than Corot, he downplayed the distinction between sketches made directly from nature and paintings finished in the studio.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- 01eefc2b2b94772c
- Size
- unknown
Document data
- ID
- 5671
- Core
- obj
- Type
- drawing
DTO data
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"title": "Landscape with Gleaners",
"description": "Daubigny spanned two generations of artists-the Barbizon school painters and the early impressionists. In his youth, he copied the works of the 17th-century masters Jacob van Ruisdael and Nicolas Poussin in the Louvre Museum, and, by the mid-1830s, he was painting in the forests on the outskirts of Paris. Daubigny befriended Théodore Rousseau and Jules Breton and, in the 1850s, began to work closely with Camille Corot. Even more than Corot, he downplayed the distinction between sketches made directly from nature and paintings finished in the studio.",
"provenance": "Mrs. P. C. Hanford, Chicago [date and mode of acquisition unknown]; Hanford Sale, American Art Association, New York, January 30, 1902, no. 22; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
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Document identity
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Document source metadata
{
"id": "5671",
"sourceUrl": "https://purl.thewalters.org/art/37.35",
"contentType": "drawing",
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"title": "Landscape with Gleaners",
"description": "Daubigny spanned two generations of artists-the Barbizon school painters and the early impressionists. In his youth, he copied the works of the 17th-century masters Jacob van Ruisdael and Nicolas Poussin in the Louvre Museum, and, by the mid-1830s, he was painting in the forests on the outskirts of Paris. Daubigny befriended Théodore Rousseau and Jules Breton and, in the 1850s, began to work closely with Camille Corot. Even more than Corot, he downplayed the distinction between sketches made directly from nature and paintings finished in the studio.",
"provenance": "Mrs. P. C. Hanford, Chicago [date and mode of acquisition unknown]; Hanford Sale, American Art Association, New York, January 30, 1902, no. 22; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
{
"inscriptions": "[Signature] In brown at lower left: Daubigny",
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Page context
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