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Source Description
The Old Testament book of Daniel tells of Susanna, a married woman who is spied on by two court judges while bathing in her garden. They attempt to force themselves upon her, saying that if she does not submit, they will accuse her of adultery. She screams and when others approach, the judges make their accusation. At her trial for adultery, Daniel insists that the “witnesses” be questioned. This reveals their lies; Susanna is exonerated, and her accusers are put to death.The painter depicted Susanna as she tries to cover herself while pushing away her male assailants. Around 1700, it might have been claimed that the focus on her body was intended to reveal her innocence and virtue, as truth was often symbolized by a nude woman (as in “the naked truth”). Nevertheless, the painter has made the viewer complicit in taking advantage of Susanna’s inability to stop others from gazing at her unclothed body.The soft, luminous coloring is characteristic of the late Roman Baroque style.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 334, pp. 459-460.
Scholar Source Context
Document identity
localId
5833
label
Susannah and the Elders
core
obj
dtoType
drawing
citationUrl
pageCount
2
Source metadata
id
5833
sourceUrl
contentType
drawing
stage
normalized
title
Susannah and the Elders
description
The Old Testament book of Daniel tells of Susanna, a married woman who is spied on by two court judges while bathing in her garden. They attempt to force themselves upon her, saying that if she does not submit, they will accuse her of adultery. She screams and when others approach, the judges make their accusation. At her trial for adultery, Daniel insists that the “witnesses” be questioned. This reveals their lies; Susanna is exonerated, and her accusers are put to death.The painter depicted Susanna as she tries to cover herself while pushing away her male assailants. Around 1700, it might have been claimed that the focus on her body was intended to reveal her innocence and virtue, as truth was often symbolized by a nude woman (as in “the naked truth”). Nevertheless, the painter has made the viewer complicit in taking advantage of Susanna’s inability to stop others from gazing at her unclothed body.The soft, luminous coloring is characteristic of the late Roman Baroque style.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 334, pp. 459-460.
provenance
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1881 catalogue: no. 211; 1897 catalogue: no. 216, as Cagnacci]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1700-1727 (late Baroque)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
67.3
height
81.6
dimensionsRaw
Painted surface H: 26 1/2 x W: 32 1/8 in. (67.3 x 81.6 cm)
Source extras
med
oil on canvas
creator_ids
6508
collection_ids
BAR
exhibition_ids
578
948
3063
Page inventory
seq
1
type
photo
mediaId
06eec57c82156fe4
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
65eccb2b40dc88c2
hasOcr
no
hasDescription
no