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The unidentified noblewoman rests her hand on a keyboard instrument, the playing of which was considered virtuous for a woman. Pulzone has carefully rendered the textures of her luxurious dress down to the smallest details, including the refined lace of her cuffs and collar and the embroidery of the black dress.The stately, formal, and somewhat stiff three-quarter figure, exemplified by Pulzone's painting, had become standard for aristocratic portraiture in late 16th-century Europe.For more information on this painting, please seeFederico Zeri's 1976 catalogue no. 238, pp. 360-361.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- f63d82ada7b5fb26
- Size
- unknown
Document data
- ID
- 6807
- Core
- obj
- Type
- drawing
DTO data
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"contentType": "drawing",
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"title": "Portrait of a Lady",
"description": "The unidentified noblewoman rests her hand on a keyboard instrument, the playing of which was considered virtuous for a woman. Pulzone has carefully rendered the textures of her luxurious dress down to the smallest details, including the refined lace of her cuffs and collar and the embroidery of the black dress.The stately, formal, and somewhat stiff three-quarter figure, exemplified by Pulzone's painting, had become standard for aristocratic portraiture in late 16th-century Europe.For more information on this painting, please seeFederico Zeri's 1976 catalogue no. 238, pp. 360-361.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 396, as Giovanni Battista Moroni]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1580-1589 (Renaissance)",
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],
"dimensionsRaw": "Painted surface H: 46 7/8 x W: 35 7/8 in. (119 x 91.2 cm)"
}
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Document identity
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"label": "Portrait of a Lady",
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Document source metadata
{
"id": "6807",
"sourceUrl": "https://purl.thewalters.org/art/37.605",
"contentType": "drawing",
"stage": "normalized",
"title": "Portrait of a Lady",
"description": "The unidentified noblewoman rests her hand on a keyboard instrument, the playing of which was considered virtuous for a woman. Pulzone has carefully rendered the textures of her luxurious dress down to the smallest details, including the refined lace of her cuffs and collar and the embroidery of the black dress.The stately, formal, and somewhat stiff three-quarter figure, exemplified by Pulzone's painting, had become standard for aristocratic portraiture in late 16th-century Europe.For more information on this painting, please seeFederico Zeri's 1976 catalogue no. 238, pp. 360-361.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 396, as Giovanni Battista Moroni]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1580-1589 (Renaissance)",
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Document source extras
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Page context
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