Ask the Scholar

Page 2 of 2
I can add historical knowledge about this page.

Page image

Page 2

Document source description

A Pietà (meaning compassion in Italian) is the image of the Virgin Mary mourning her dead son. In the Bible, she mourns along with others. Isolating her focuses the viewer's attention on her suffering and her compassion for her son's suffering, thereby offering the ultimate example for pious Catholics.The idealized, muscular body of the dead Christ is set off against the stately, pyramidal figure of Mary in her voluminous robe and presented to the viewer so that he or she, like the Virgin Mary, can meditate on Christ's sacrifice. The silvery tones, like the ahistorical setting, lend an aura of timelessness to the subject.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 437, p. 549.

Page data

Page
2
Source index
0
Type
photo
Media ID
0770a578fc4bfc83
Size
unknown

Document data

ID
7018
Core
obj
Type
drawing
DTO data
{
    "id": "7018",
    "sourceUrl": "https://purl.thewalters.org/art/37.1125",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Pietà",
    "description": "A Pietà (meaning compassion in Italian) is the image of the Virgin Mary mourning her dead son. In the Bible, she mourns along with others. Isolating her focuses the viewer's attention on her suffering and her compassion for her son's suffering, thereby offering the ultimate example for pious Catholics.The idealized, muscular body of the dead Christ is set off against the stately, pyramidal figure of Mary in her voluminous robe and presented to the viewer so that he or she, like the Virgin Mary, can meditate on Christ's sacrifice. The silvery tones, like the ahistorical setting, lend an aura of timelessness to the subject.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 437, p. 549.",
    "provenance": "Don Marcello Massarenti Collection, Rome [1897 catalogue: no. 165, as Guido Reni]; purchased by Henry Walters, Baltimore, 1902; by bequest to Walters Art Museum, 1931.",
    "date": "ca. 1725-1730 (Baroque)",
    "citationUrl": "https://purl.thewalters.org/art/37.1125",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "oil paintings (visual works)"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL9_37.1125_Fnt_SL.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL9_37.1125_Fnt_SL.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL9_37.1125_Fnt_SL.jpg",
    "imageCount": 2,
    "pageCount": 2,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 63.2,
            "height": 49.2,
            "depth": 2.5
        }
    ],
    "dimensionsRaw": "H: 24 7/8 × W: 19 3/8 × D: 1 in. (63.18 × 49.21 × 2.54 cm); Framed H: 36 5/8 × W: 30 × D: 3 3/4 in. (93.03 × 76.2 × 9.53 cm) with build-up"
}

Context sent to Scholar

Document identity
{
    "localId": "7018",
    "label": "Pietà",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.1125"
}
Document source metadata
{
    "id": "7018",
    "sourceUrl": "https://purl.thewalters.org/art/37.1125",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Pietà",
    "description": "A Pietà (meaning compassion in Italian) is the image of the Virgin Mary mourning her dead son. In the Bible, she mourns along with others. Isolating her focuses the viewer's attention on her suffering and her compassion for her son's suffering, thereby offering the ultimate example for pious Catholics.The idealized, muscular body of the dead Christ is set off against the stately, pyramidal figure of Mary in her voluminous robe and presented to the viewer so that he or she, like the Virgin Mary, can meditate on Christ's sacrifice. The silvery tones, like the ahistorical setting, lend an aura of timelessness to the subject.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 437, p. 549.",
    "provenance": "Don Marcello Massarenti Collection, Rome [1897 catalogue: no. 165, as Guido Reni]; purchased by Henry Walters, Baltimore, 1902; by bequest to Walters Art Museum, 1931.",
    "date": "ca. 1725-1730 (Baroque)",
    "citationUrl": "https://purl.thewalters.org/art/37.1125",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "oil paintings (visual works)"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL9_37.1125_Fnt_SL.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL9_37.1125_Fnt_SL.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL9_37.1125_Fnt_SL.jpg",
    "imageCount": 2,
    "pageCount": 2,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 63.2,
            "height": 49.2,
            "depth": 2.5
        }
    ],
    "dimensionsRaw": "H: 24 7/8 × W: 19 3/8 × D: 1 in. (63.18 × 49.21 × 2.54 cm); Framed H: 36 5/8 × W: 30 × D: 3 3/4 in. (93.03 × 76.2 × 9.53 cm) with build-up"
}
Document source extras
{
    "med": "oil on canvas",
    "creator_ids": [
        "6386"
    ],
    "collection_ids": [
        "BAR"
    ],
    "exhibition_ids": [
        "3345"
    ]
}
Page context
{
    "seq": 2,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/PL9_37.1125_Fnt_SL.jpg",
    "mediaId": "0770a578fc4bfc83"
}