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Doré worked as a painter, illustrator, and sculptor, but his international reputation rests mainly on his illustrations for such popular publications as Dante's "Divine Comedy" (1861-68), Milton's "Paradise Lost" (1863), and Edgar Allen Poe's "The Raven" (1883).Here, he depicts his brother Émile, who was a colonel in the French artillery. A visit to London in 1868 may have resulted in Doré's decision to use delicate washes in the manner of the British watercolorists rather than opaque colors.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- a8eec379c0cc6540
- Size
- unknown
Document data
- ID
- 79174
- Core
- obj
- Type
- drawing
DTO data
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"title": "Portrait of the Artist's Brother",
"description": "Doré worked as a painter, illustrator, and sculptor, but his international reputation rests mainly on his illustrations for such popular publications as Dante's \"Divine Comedy\" (1861-68), Milton's \"Paradise Lost\" (1863), and Edgar Allen Poe's \"The Raven\" (1883).Here, he depicts his brother Émile, who was a colonel in the French artillery. A visit to London in 1868 may have resulted in Doré's decision to use delicate washes in the manner of the British watercolorists rather than opaque colors.",
"provenance": "Hal O'Nians Fine Art Dealer, London [date and mode of acquisition unknown]; Joseph F. McCrindle (1923-2008), New York, June 19, 1964, by purchase, #A1327; Joseph F. McCrindle Foundation, New York, 2008, by bequest; Walters Art Museum, 2009, by gift.",
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Context sent to Scholar
Document identity
{
"localId": "79174",
"label": "Portrait of the Artist's Brother",
"core": "obj",
"dtoType": "drawing",
"citationUrl": "https://purl.thewalters.org/art/37.2796"
}
Document source metadata
{
"id": "79174",
"sourceUrl": "https://purl.thewalters.org/art/37.2796",
"contentType": "drawing",
"stage": "normalized",
"title": "Portrait of the Artist's Brother",
"description": "Doré worked as a painter, illustrator, and sculptor, but his international reputation rests mainly on his illustrations for such popular publications as Dante's \"Divine Comedy\" (1861-68), Milton's \"Paradise Lost\" (1863), and Edgar Allen Poe's \"The Raven\" (1883).Here, he depicts his brother Émile, who was a colonel in the French artillery. A visit to London in 1868 may have resulted in Doré's decision to use delicate washes in the manner of the British watercolorists rather than opaque colors.",
"provenance": "Hal O'Nians Fine Art Dealer, London [date and mode of acquisition unknown]; Joseph F. McCrindle (1923-2008), New York, June 19, 1964, by purchase, #A1327; Joseph F. McCrindle Foundation, New York, 2008, by bequest; Walters Art Museum, 2009, by gift.",
"date": "n.d.",
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],
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Document source extras
{
"inscriptions": [
"[Signature] on reverse",
"top left: G. Doré - Portrait de son frere [Transcription] Top right: mnoo; Bottom right: aquarelle originale par Gustave Doré Pencil notation: 35/209B"
],
"med": "watercolor on laid beige paper with watermark, adhered by the edges to the face of a French mat",
"creator_ids": [
"3589"
],
"collection_ids": [
"EAN"
],
"exhibition_ids": [
"2828"
]
}
Page context
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