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Prior to the Roman Period, the likeness of the deceased on the mummy mask, coffin, and sarcophagus was an idealized representation that conformed to the general style of the period. With the arrival of Roman rule in Egypt, mummy portraits became increasingly naturalistic. The new style of portraiture was sometimes rendered in two-dimensional paintings on a wood panel or on linen. The panel portraits were made in either tempera paint or in encaustic, like this example. Encaustic painting is a technique in which the pigment is dissolved in wax before it is applied to the surface.

Page data

Page
1
Source index
0
Type
photo
Media ID
5bf919713cde9180
Size
unknown

Document data

ID
7962
Core
obj
Type
drawing
DTO data
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    "sourceUrl": "https://purl.thewalters.org/art/32.6",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Panel Portrait of a Bearded Man",
    "description": "Prior to the Roman Period, the likeness of the deceased on the mummy mask, coffin, and sarcophagus was an idealized representation that conformed to the general style of the period. With the arrival of Roman rule in Egypt, mummy portraits became increasingly naturalistic. The new style of portraiture was sometimes rendered in two-dimensional paintings on a wood panel or on linen. The panel portraits were made in either tempera paint or in encaustic, like this example. Encaustic painting is a technique in which the pigment is dissolved in wax before it is applied to the surface.",
    "provenance": "Dikran Kelekian, New York and Paris [date and mode of acquisition unknown] [as from Fayum]; Henry Walters, Baltimore, 1912, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 170-180 CE (Roman Imperial)",
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    "dimensionsRaw": "H: 15 15/16 x W: 7 7/8 in. (40.5 x 20 cm)"
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Document identity
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    "label": "Panel Portrait of a Bearded Man",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/32.6"
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Document source metadata
{
    "id": "7962",
    "sourceUrl": "https://purl.thewalters.org/art/32.6",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Panel Portrait of a Bearded Man",
    "description": "Prior to the Roman Period, the likeness of the deceased on the mummy mask, coffin, and sarcophagus was an idealized representation that conformed to the general style of the period. With the arrival of Roman rule in Egypt, mummy portraits became increasingly naturalistic. The new style of portraiture was sometimes rendered in two-dimensional paintings on a wood panel or on linen. The panel portraits were made in either tempera paint or in encaustic, like this example. Encaustic painting is a technique in which the pigment is dissolved in wax before it is applied to the surface.",
    "provenance": "Dikran Kelekian, New York and Paris [date and mode of acquisition unknown] [as from Fayum]; Henry Walters, Baltimore, 1912, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 170-180 CE (Roman Imperial)",
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    "rightsUri": "CC0",
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Document source extras
{
    "cul": "Egyptian",
    "dynasty": "Roman",
    "reign": "Marcus Aurelius",
    "med": "encaustic (wax and pigments) on wood",
    "creator_ids": [
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Page context
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