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This icon, one of the finest in North America, features the "Anastasis," or the Resurrection of Christ, the traditional Byzantine image depicting Christ's descent into hell to redeem the Just of the Old Testament. In the upper portion of the painting, the Harrowing of Hell is shown. In the Christian tradition, this is the period of time between Christ's burial on Good Friday and the discovery of his Resurrection on Easter Sunday, when Christ was thought to have entered hell, defeated Satan, and freed the worthy souls who had been imprisoned there, including David, Solomon, John the Baptist and other prophets, and the first parents, Adam and Eve. Beneath is a depiction of the Holy Women mourning at Christ's tomb and then learning of the Resurrection from the angel.

Page data

Page
4
Source index
0
Type
photo
Media ID
e670b911c42198ce
Size
unknown

Document data

ID
9120
Core
obj
Type
drawing
DTO data
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    "id": "9120",
    "sourceUrl": "https://purl.thewalters.org/art/37.751",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Resurrection of Christ",
    "description": "This icon, one of the finest in North America, features the \"Anastasis,\" or the Resurrection of Christ, the traditional Byzantine image depicting Christ's descent into hell to redeem the Just of the Old Testament. In the upper portion of the painting, the Harrowing of Hell is shown. In the Christian tradition, this is the period of time between Christ's burial on Good Friday and the discovery of his Resurrection on Easter Sunday, when Christ was thought to have entered hell, defeated Satan, and freed the worthy souls who had been imprisoned there, including David, Solomon, John the Baptist and other prophets, and the first parents, Adam and Eve. Beneath is a depiction of the Holy Women mourning at Christ's tomb and then learning of the Resurrection from the angel.",
    "provenance": "Don Marcello Massarenti Collection, Rome, by purchase; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1350-1375 (Medieval)",
    "citationUrl": "https://purl.thewalters.org/art/37.751",
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    "thumbnailUrl": "https://art.thewalters.org/images/art/CON_37.751_XR_DateUnk_WithoutCradle.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/CON_37.751_XR_DateUnk_WithoutCradle.jpg",
    "imageCount": 4,
    "pageCount": 4,
    "source": "import",
    "dimensions": [
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            "units": "cm",
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            "depth": 3
        }
    ],
    "dimensionsRaw": "H: 14 3/16 x W: 10 7/16 x D: 1 3/16 in. (36.2 x 26.5 x 3 cm)",
    "style": "Byzantine"
}

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Document identity
{
    "localId": "9120",
    "label": "Resurrection of Christ",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.751"
}
Document source metadata
{
    "id": "9120",
    "sourceUrl": "https://purl.thewalters.org/art/37.751",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Resurrection of Christ",
    "description": "This icon, one of the finest in North America, features the \"Anastasis,\" or the Resurrection of Christ, the traditional Byzantine image depicting Christ's descent into hell to redeem the Just of the Old Testament. In the upper portion of the painting, the Harrowing of Hell is shown. In the Christian tradition, this is the period of time between Christ's burial on Good Friday and the discovery of his Resurrection on Easter Sunday, when Christ was thought to have entered hell, defeated Satan, and freed the worthy souls who had been imprisoned there, including David, Solomon, John the Baptist and other prophets, and the first parents, Adam and Eve. Beneath is a depiction of the Holy Women mourning at Christ's tomb and then learning of the Resurrection from the angel.",
    "provenance": "Don Marcello Massarenti Collection, Rome, by purchase; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1350-1375 (Medieval)",
    "citationUrl": "https://purl.thewalters.org/art/37.751",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "icons"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/CON_37.751_XR_DateUnk_WithoutCradle.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/CON_37.751_XR_DateUnk_WithoutCradle.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/CON_37.751_XR_DateUnk_WithoutCradle.jpg",
    "imageCount": 4,
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    "dimensions": [
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            "depth": 3
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    ],
    "dimensionsRaw": "H: 14 3/16 x W: 10 7/16 x D: 1 3/16 in. (36.2 x 26.5 x 3 cm)",
    "style": "Byzantine"
}
Document source extras
{
    "cul": "Byzantine",
    "inscriptions": "[Translation] Of Greek inscription: And the women were sitting opposite the tomb. And Mary Magdalene and the other Mary were there to see [the place] where He had been buried",
    "dynasty": "Palaeologan Dynasty",
    "med": "tempera on wood with gilding",
    "creator_ids": [
        "6256"
    ],
    "collection_ids": [
        "BYZ"
    ],
    "exhibition_ids": [
        "287",
        "648",
        "13"
    ]
}
Page context
{
    "seq": 4,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/CON_37.751_XR_DateUnk_WithCradle.jpg",
    "mediaId": "e670b911c42198ce"
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