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Noh and Kabuki are theatrical forms still practiced today. There is little action in a Noh play: it portrays one all-encompassing emotion that dominates the main character, who wears a mask. In contrast to Noh, Kabuki has a rich blend of music, dance, mime, and spectacular staging and costuming. This teapot presents characters and text from the Noh play Long-Nosed Goblin in Kurama (Kurama Tengu), with the characters’ faces interestingly done up with makeup like how Kabuki characters are visualized in art.
Page data
- Page
- 3
- Source index
- 0
- Type
- photo
- Media ID
- 1f705c5d534d48f8
- Size
- unknown
Document data
- ID
- 102049
- Core
- obj
- Type
- object
DTO data
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"title": "Teapot Depicting Characters and Text from Noh Play Long-Nosed Goblin in Kurama (Kurama Tengu)",
"description": "Noh and Kabuki are theatrical forms still practiced today. There is little action in a Noh play: it portrays one all-encompassing emotion that dominates the main character, who wears a mask. In contrast to Noh, Kabuki has a rich blend of music, dance, mime, and spectacular staging and costuming. This teapot presents characters and text from the Noh play Long-Nosed Goblin in Kurama (Kurama Tengu), with the characters’ faces interestingly done up with makeup like how Kabuki characters are visualized in art.",
"provenance": "Purchased by John and Caroline Williams, Baltimore, 1947 [1]; given to Walters Art Museum, 2019.[1] from shop in Toyko, Japan",
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Context sent to Scholar
Document identity
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Document source metadata
{
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"title": "Teapot Depicting Characters and Text from Noh Play Long-Nosed Goblin in Kurama (Kurama Tengu)",
"description": "Noh and Kabuki are theatrical forms still practiced today. There is little action in a Noh play: it portrays one all-encompassing emotion that dominates the main character, who wears a mask. In contrast to Noh, Kabuki has a rich blend of music, dance, mime, and spectacular staging and costuming. This teapot presents characters and text from the Noh play Long-Nosed Goblin in Kurama (Kurama Tengu), with the characters’ faces interestingly done up with makeup like how Kabuki characters are visualized in art.",
"provenance": "Purchased by John and Caroline Williams, Baltimore, 1947 [1]; given to Walters Art Museum, 2019.[1] from shop in Toyko, Japan",
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Document source extras
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