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Source Description
In this wooded landscape, a young nymph is bathing. Baer was admired for his "ideal" subjects as well as for his portraits. This miniature and "Aurora" (Walters 38.169) are among his most famous works.William Jacob Baer was born in Cincinnati in 1860, where he was trained in lithography. In 1880 he traveled to Munich to study drawing and painting at the Royal Academy. When he returned to the United States, he lived in New Jersey where he taught drawing and painting at Princeton University. In 1893 he moved to New York and where he first painted portrait miniatures; by 1894 he had given up easel painting all together to focus exclusively on this genre. He helped found the American Society of Miniature Painters, and is considered instrumental in the revival of miniature at the end of the 19th century. Baer exhibited both nationally and internationally, at the Exposition Universelle (1900), Pan-American Exposition (1901), Louisiana Purchase Exposition (1904), and the Panama-Pacific Exposition (1915), where he work was well received. He seems to have found particular success with Henry Walters and his relatives. The Walters Art Museum holds six works on ivory by the artist.
Scholar Source Context
Document identity
localId
10264
label
Nymph
core
obj
dtoType
object
citationUrl
pageCount
3
Source metadata
id
10264
sourceUrl
contentType
object
stage
normalized
title
Nymph
description
In this wooded landscape, a young nymph is bathing. Baer was admired for his "ideal" subjects as well as for his portraits. This miniature and "Aurora" (Walters 38.169) are among his most famous works.William Jacob Baer was born in Cincinnati in 1860, where he was trained in lithography. In 1880 he traveled to Munich to study drawing and painting at the Royal Academy. When he returned to the United States, he lived in New Jersey where he taught drawing and painting at Princeton University. In 1893 he moved to New York and where he first painted portrait miniatures; by 1894 he had given up easel painting all together to focus exclusively on this genre. He helped found the American Society of Miniature Painters, and is considered instrumental in the revival of miniature at the end of the 19th century. Baer exhibited both nationally and internationally, at the Exposition Universelle (1900), Pan-American Exposition (1901), Louisiana Purchase Exposition (1904), and the Panama-Pacific Exposition (1915), where he work was well received. He seems to have found particular success with Henry Walters and his relatives. The Walters Art Museum holds six works on ivory by the artist.
provenance
Henry Walters, Baltimore, prior to 1899; by bequest to Walters Art Museum, 1931.
date
1898
citationUrl
rightsUri
CC0
language
en
genreSpecific
Miniatures
miniatures (paintings)
imageCount
3
pageCount
3
source
import
dimensions
units
cm
width
11
height
14.7
dimensionsRaw
H: 4 5/16 × W: 5 13/16 in. (11 × 14.7 cm)Framed H: 9 13/16 × W: 11 1/4 × D: 9/16 in. (25 × 28.5 × 1.4 cm)
Source extras
inscriptions
[Signature] lower right: ""W. J. BAER; [Number] OP[us].83 1898""
med
watercolor on ivory, wood (ebony) frame, brass
creator_ids
3651
collection_ids
EAN
exhibition_ids
3100
Page inventory
seq
1
type
photo
mediaId
888b53fce964208f
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
5a76b557fd0dbe9b
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
d2b027715c63f4a0
hasOcr
no
hasDescription
no