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The Virgin, who has suffered some damage over time, stands in a swaying pose to support the missing Child on her left arm. Her apron-style drapery hangs in deep folds, and her head was once ornamented with a metal crown. The rendering of her deep-set eyes and slightly pinched features is not found in French works, but can be seen instead in English ivory and alabaster sculptures as early as the mid-13th century.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- d8fdc2a22642ef98
- Size
- unknown
Document data
- ID
- 1036
- Core
- obj
- Type
- object
DTO data
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"title": "Virgin and Child",
"description": "The Virgin, who has suffered some damage over time, stands in a swaying pose to support the missing Child on her left arm. Her apron-style drapery hangs in deep folds, and her head was once ornamented with a metal crown. The rendering of her deep-set eyes and slightly pinched features is not found in French works, but can be seen instead in English ivory and alabaster sculptures as early as the mid-13th century.",
"provenance": "Léon Gruel, Paris; Henry Walters, Baltimore, 1914, by purchase; Walters Art Museum, 1931, by bequest.",
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Context sent to Scholar
Document identity
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Document source metadata
{
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"contentType": "object",
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"title": "Virgin and Child",
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"provenance": "Léon Gruel, Paris; Henry Walters, Baltimore, 1914, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
{
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Page context
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