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Source Description

The interior, on the right, Josue and the mounted Israelites charge against Amalec and his troops, who are seen on the left, some already turning their backs to the battle. In the middle distance is a camp with tents, and on a hill at the right, Aaron and Hur are staying up the hands of Moses, which were heavy. Shafts of divine light fall on Moses and Josue. The border is decorated with gilt scrolls on blue ground.On the exterior of the tazza, three grotesque grinning male masks, one with a cusped forehead, the others wearing a crown or devil's horns are set in cartouches and alternate with female terms, amidst strapwork. The blue background is decorated along the rim with an ovolo line, elsewhere with gilt scrolls. On the foot, the ground of which is black, are painted in brilliant colors heightened with foil two groups of grotesque sphinxes or dragons affronting grotesque female terms, and two squatting grotesque male terms. On the edge is a gilt continuous spray of leaves. The knop of the conical foot is gilt with laurel leaves now faded.

Scholar Source Context

Document identity
localId
10803
label
The Battle of the Israelites Against the Amalekites at Raphidim
core
obj
dtoType
object
pageCount
2
Source metadata
id
10803
contentType
object
stage
normalized
title
The Battle of the Israelites Against the Amalekites at Raphidim
description
The interior, on the right, Josue and the mounted Israelites charge against Amalec and his troops, who are seen on the left, some already turning their backs to the battle. In the middle distance is a camp with tents, and on a hill at the right, Aaron and Hur are staying up the hands of Moses, which were heavy. Shafts of divine light fall on Moses and Josue. The border is decorated with gilt scrolls on blue ground.On the exterior of the tazza, three grotesque grinning male masks, one with a cusped forehead, the others wearing a crown or devil's horns are set in cartouches and alternate with female terms, amidst strapwork. The blue background is decorated along the rim with an ovolo line, elsewhere with gilt scrolls. On the foot, the ground of which is black, are painted in brilliant colors heightened with foil two groups of grotesque sphinxes or dragons affronting grotesque female terms, and two squatting grotesque male terms. On the edge is a gilt continuous spray of leaves. The knop of the conical foot is gilt with laurel leaves now faded.
provenance
Samuel Addington (?), before 1862, by purchase; Frédéric Spitzer, Paris, by purchase; F. Spitzer Collection Sale, Paul Chevallier and Charles Mannheim, Paris, April 17, 1893, lot 563 [passed]; Charles Borradaile, Brighton, before 1897, by purchase; George Robinson Harding, London, [date of acquisition unknown], by purchase; Henry Walters, Baltimore, [date of acquisition unknown], by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1555-1585 (Early Modern)
rightsUri
CC0
language
en
genreSpecific
Enamels
tazzas
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
14
height
24.9
dimensionsRaw
H: 5 1/2 x W: 9 13/16 in. (14 x 24.9 cm)
Source extras
inscriptions
[Signature] in the black strapwork: I. C.
med
painted enamels on copper
creator_ids
3190
collection_ids
REN
exhibition_ids
826
Page inventory
seq
1
type
photo
mediaId
179e989ddeceb737
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
b8bac3a55ebab8cf
hasOcr
no
hasDescription
no