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Joseph Phillipe Brocard was not only a glass artist, he also restored and collected historic Islamic glass, which served as inspiration for new artworks. Brocard modeled this lamp after a medieval Egyptian example from the Mamluk sultanate (begun in 1250 and conquered by the Ottomans in 1517), when enameled and gilt glass lamps reached a pinnacle of artistic achievement. In the 19th century, there was significant appreciation for Mamluk art in Europe and Egypt itself, which witnessed a "Mamluk Revival." Brocard exhibited his works at numerous international exhibitions or World's Fairs during the second half of the nineteenth century and sold from his shop located in the rue Bertrand, Paris. His works were popular among American collectors, many examples entering the country through the New York dealer and collector Samuel P. Avery.
Page data
- Page
- 3
- Source index
- 0
- Type
- photo
- Media ID
- 6ce34f8c65254648
- Size
- unknown
Document data
- ID
- 11093
- Core
- obj
- Type
- object
DTO data
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"contentType": "object",
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"title": "Mamluk-Revival Lamp",
"description": "Joseph Phillipe Brocard was not only a glass artist, he also restored and collected historic Islamic glass, which served as inspiration for new artworks. Brocard modeled this lamp after a medieval Egyptian example from the Mamluk sultanate (begun in 1250 and conquered by the Ottomans in 1517), when enameled and gilt glass lamps reached a pinnacle of artistic achievement. In the 19th century, there was significant appreciation for Mamluk art in Europe and Egypt itself, which witnessed a \"Mamluk Revival.\" Brocard exhibited his works at numerous international exhibitions or World's Fairs during the second half of the nineteenth century and sold from his shop located in the rue Bertrand, Paris. His works were popular among American collectors, many examples entering the country through the New York dealer and collector Samuel P. Avery.",
"provenance": "Dr. George Krotkoff; by bequest to Walters Art Museum, 2014.",
"date": "1867-1884",
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"dimensionsRaw": "H: 13 3/4 × Diam with handles: 9 5/16 in. (34.9 × 23.6 cm); H: 13 3/4 × Diam of rim: 8 3/4 in. (34.9 × 22.3 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "11093",
"label": "Mamluk-Revival Lamp",
"core": "obj",
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"citationUrl": "https://purl.thewalters.org/art/47.742"
}
Document source metadata
{
"id": "11093",
"sourceUrl": "https://purl.thewalters.org/art/47.742",
"contentType": "object",
"stage": "normalized",
"title": "Mamluk-Revival Lamp",
"description": "Joseph Phillipe Brocard was not only a glass artist, he also restored and collected historic Islamic glass, which served as inspiration for new artworks. Brocard modeled this lamp after a medieval Egyptian example from the Mamluk sultanate (begun in 1250 and conquered by the Ottomans in 1517), when enameled and gilt glass lamps reached a pinnacle of artistic achievement. In the 19th century, there was significant appreciation for Mamluk art in Europe and Egypt itself, which witnessed a \"Mamluk Revival.\" Brocard exhibited his works at numerous international exhibitions or World's Fairs during the second half of the nineteenth century and sold from his shop located in the rue Bertrand, Paris. His works were popular among American collectors, many examples entering the country through the New York dealer and collector Samuel P. Avery.",
"provenance": "Dr. George Krotkoff; by bequest to Walters Art Museum, 2014.",
"date": "1867-1884",
"citationUrl": "https://purl.thewalters.org/art/47.742",
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}
Document source extras
{
"inscriptions": "[Signature] On underside of body: Brocard / Paris",
"med": "Glass, enamel, gilding, copper alloy",
"creator_ids": [
"5676"
],
"collection_ids": [
"EAN"
],
"exhibition_ids": [
"3391"
]
}
Page context
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