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Source Description

This dish depicts an episode from the Roman poet Ovid’s (43 BCE-17AD) “The Metamorphoses.” Pan, god of shepherds and rustic music, challenged Apollo, god of the Sun, to a competition of musical ability. In the center, Apollo plays a violin, although in Ovid’s version he played a lyre. Pan, identifiable because of his goat legs, is seated on the right. Spectators in the background appear mesmerized by Apollo’s skillful playing. The rolled rim is painted with a complicated mix of cupids, satyrs, and trophies, which demonstrate how the original concept of "grotesque" designs became more classical and solid by the second half of the sixteenth century. The inscription “hapollo et/panno,” painted in the center of the reverse side and framed by a design of sprigs and zigzags, identifies the scene on the front. The back is also painted unevenly in white with three yellow-ochre concentric circles. This dish is representative of “istoriato” (tells a story) wares, which emerged at the end of the fifteenth century and typically portrayed scenes from Classical narratives. It was painted in Castel Durante by the workshop of Andrea da Negroponte, the compositions of which are characterized by large numbers of figures. To view more maiolica wares by this artist, click on the name in the creator field; for additional information on “maiolica” see 48.1336.

Scholar Source Context

Document identity
localId
11208
label
Dish with the Musical Competition between Apollo and Pan
core
obj
dtoType
object
pageCount
2
Source metadata
id
11208
contentType
object
stage
normalized
title
Dish with the Musical Competition between Apollo and Pan
description
This dish depicts an episode from the Roman poet Ovid’s (43 BCE-17AD) “The Metamorphoses.” Pan, god of shepherds and rustic music, challenged Apollo, god of the Sun, to a competition of musical ability. In the center, Apollo plays a violin, although in Ovid’s version he played a lyre. Pan, identifiable because of his goat legs, is seated on the right. Spectators in the background appear mesmerized by Apollo’s skillful playing. The rolled rim is painted with a complicated mix of cupids, satyrs, and trophies, which demonstrate how the original concept of "grotesque" designs became more classical and solid by the second half of the sixteenth century. The inscription “hapollo et/panno,” painted in the center of the reverse side and framed by a design of sprigs and zigzags, identifies the scene on the front. The back is also painted unevenly in white with three yellow-ochre concentric circles. This dish is representative of “istoriato” (tells a story) wares, which emerged at the end of the fifteenth century and typically portrayed scenes from Classical narratives. It was painted in Castel Durante by the workshop of Andrea da Negroponte, the compositions of which are characterized by large numbers of figures. To view more maiolica wares by this artist, click on the name in the creator field; for additional information on “maiolica” see 48.1336.
provenance
H. Wencke Collection, Hamburg [date and mode of acquisition unknown] [no. 108 (?)]; Seligmann, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore, May 7, 1908, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1560 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Ceramics
dishes
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
5.8
height
43.5
dimensionsRaw
2 5/16 x 17 1/8 in. (5.8 x 43.5 cm)
Source extras
inscriptions
[Inscription] In the center back
in manganese
a panel formed by sprigs and zigzags with the inscription: ha pollo • et • / panno
med
earthenware with tin glaze (maiolica)
creator_ids
2120
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
e67b9007be5f01c6
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
a5fe6825af5d2fd7
hasOcr
no
hasDescription
no