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Source Description
Bust-length portrait said to be of Sarah Goodridge (also spelt Goodrich, 1788-1853) looking slightly to the left, with dark brown straigh hair parted in the center, wearing a red velvet dress with narrow white lace collar on a mauve background. Goodridge was born on a farm in Templeton, Massachusetts, the sixth of nine children. In Boston she took drawing lessons. Subsequently she was taught the technique of miniature painting on ivory and by 1818 was listed in the Boston directory as a miniature painter. In 1820 she opened her own studio and made a successful career as an artist. Among Goodridge's most interesting and personal work is a miniature portrait of her own bared breasts, entitled "Beauty Revealed," now in the Metropolitan Museum of Art in New York. Although the sitter resembles a self-portrait of Goodridge dated to 1830, she also appears somewhat younger in this work dated to ca. 1835.
Scholar Source Context
Document identity
localId
11366
label
Sarah Goodridge
core
obj
dtoType
object
citationUrl
pageCount
2
Source metadata
id
11366
sourceUrl
contentType
object
stage
normalized
title
Sarah Goodridge
description
Bust-length portrait said to be of Sarah Goodridge (also spelt Goodrich, 1788-1853) looking slightly to the left, with dark brown straigh hair parted in the center, wearing a red velvet dress with narrow white lace collar on a mauve background. Goodridge was born on a farm in Templeton, Massachusetts, the sixth of nine children. In Boston she took drawing lessons. Subsequently she was taught the technique of miniature painting on ivory and by 1818 was listed in the Boston directory as a miniature painter. In 1820 she opened her own studio and made a successful career as an artist. Among Goodridge's most interesting and personal work is a miniature portrait of her own bared breasts, entitled "Beauty Revealed," now in the Metropolitan Museum of Art in New York. Although the sitter resembles a self-portrait of Goodridge dated to 1830, she also appears somewhat younger in this work dated to ca. 1835.
provenance
A.J. Fink, Baltimore, [date and mode of acquisition unknown]; A. Jay Fink Foundation, Inc., Baltimore,1963, by bequest; Walters Art Museum, 1963, by gift.
date
ca.1835
citationUrl
rightsUri
CC0
language
en
genreSpecific
Miniatures
miniatures (paintings)
portraits
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
6.4
height
5.1
dimensionsRaw
H excluding frame: 2 1/2 x W: 2 in. (6.35 x 5.08 cm); Framed H: 2 5/8 x W: 2 1/4 in. (6.67 x 5.72 cm)
Source extras
inscriptions
[Number] On sticker on reverse: 34
med
watercolor on ivory
creator_ids
3368
collection_ids
EAN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
86030e658574b178
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
089177ab7e568671
hasOcr
no
hasDescription
no