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This image can be called representative of the classic Early Ayutthaya style because it conforms to the ideals of large-scale stone sculptures and because it resembles gold images deposited in the crypt of Wat Râtchaburana in Ayutthaya. There are elements that can be considered formulaic: the arc of the sockets repeats that of the forehead band; the curves of the outlines of eyes, nostrils, and lips appear to echo each other. This sense of having arrived at a "solution" is what helps give this, and the many images like it, a classic aspect. What is worth remarking, however, is that despite the popularity of the type at the period of its creation, in later centuries it does not appear to have been much emulated.The proportions of this piece differ from similar images- the torso is more stretched out.

Page data

Page
1
Source index
0
Type
photo
Media ID
59f2a69cf9fc3226
Size
unknown

Document data

ID
11772
Core
obj
Type
object
DTO data
{
    "id": "11772",
    "sourceUrl": "https://purl.thewalters.org/art/54.2799",
    "contentType": "object",
    "stage": "normalized",
    "title": "Seated Buddha in \"\"Maravijaya\"\"",
    "description": "This image can be called representative of the classic Early Ayutthaya style because it conforms to the ideals of large-scale stone sculptures and because it resembles gold images deposited in the crypt of Wat Râtchaburana in Ayutthaya.  There are elements that can be considered formulaic: the arc of the sockets repeats that of the forehead band; the curves of the outlines of eyes, nostrils, and lips appear to echo each other. This sense of having arrived at a \"solution\" is what helps give this, and the many images like it, a classic aspect. What is worth remarking, however, is that despite the popularity of the type at the period of its creation, in later centuries it does not appear to have been much emulated.The proportions of this piece differ from similar images- the torso is more stretched out.",
    "provenance": "Thailand; Alexander B. Griswold, Monkton, 1948 or before, [presented to the Breezewood Foundation, December 1960, inv. no. 736]; Walters Art Museum, 1992, by bequest.",
    "date": "1st half 15th century (Ayutthaya)",
    "citationUrl": "https://purl.thewalters.org/art/54.2799",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Metal",
        "sculpture (visual works)"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL7_54.2799_Fnt_BW.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL7_54.2799_Fnt_BW.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL7_54.2799_Fnt_BW.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 51,
            "height": 22.5
        }
    ],
    "dimensionsRaw": "at knees: 20 1/16 x 8 7/8 in. (51 x 22.5 cm)"
}

Context sent to Scholar

Document identity
{
    "localId": "11772",
    "label": "Seated Buddha in \"\"Maravijaya\"\"",
    "core": "obj",
    "dtoType": "object",
    "citationUrl": "https://purl.thewalters.org/art/54.2799"
}
Document source metadata
{
    "id": "11772",
    "sourceUrl": "https://purl.thewalters.org/art/54.2799",
    "contentType": "object",
    "stage": "normalized",
    "title": "Seated Buddha in \"\"Maravijaya\"\"",
    "description": "This image can be called representative of the classic Early Ayutthaya style because it conforms to the ideals of large-scale stone sculptures and because it resembles gold images deposited in the crypt of Wat Râtchaburana in Ayutthaya.  There are elements that can be considered formulaic: the arc of the sockets repeats that of the forehead band; the curves of the outlines of eyes, nostrils, and lips appear to echo each other. This sense of having arrived at a \"solution\" is what helps give this, and the many images like it, a classic aspect. What is worth remarking, however, is that despite the popularity of the type at the period of its creation, in later centuries it does not appear to have been much emulated.The proportions of this piece differ from similar images- the torso is more stretched out.",
    "provenance": "Thailand; Alexander B. Griswold, Monkton, 1948 or before, [presented to the Breezewood Foundation, December 1960, inv. no. 736]; Walters Art Museum, 1992, by bequest.",
    "date": "1st half 15th century (Ayutthaya)",
    "citationUrl": "https://purl.thewalters.org/art/54.2799",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Metal",
        "sculpture (visual works)"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL7_54.2799_Fnt_BW.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL7_54.2799_Fnt_BW.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL7_54.2799_Fnt_BW.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 51,
            "height": 22.5
        }
    ],
    "dimensionsRaw": "at knees: 20 1/16 x 8 7/8 in. (51 x 22.5 cm)"
}
Document source extras
{
    "cul": "Thai",
    "style": "Ayutthaya",
    "inscriptions": "none",
    "med": "hollow cast leaded bronze",
    "creator_ids": [
        "2501"
    ],
    "collection_ids": [
        "SEA"
    ],
    "exhibition_ids": []
}
Page context
{
    "seq": 1,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/PL7_54.2799_Fnt_BW.jpg",
    "mediaId": "59f2a69cf9fc3226"
}