Ask the Scholar
Document scope · 3 pages
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory.
For page-specific OCR and visual context, open one of the page chats.
Source Description
This beige-colored incense burner features cut-away portions in between chrysanthemums and trellises that allow one to view the inner cylindrical liner. This liner depicts a stream in plique-a-jour blue enamels. The flower petals are also created with plique-a-jour enameling allowing light to pass through the form creating endless patterns of light and shadow across which the eye is meant to dance and play. Ando's choice to cover the body of this tripod with beige enamel is indicative of the fashionable nature of this type of decorative art. Like the annual colors released by contemporary fashion houses looking to set the tone for their new lines of clothing, enamelers at the Ando factory in Nagoya developed new colors that would key their newest decorative objects to the tastes of fashionable people in the major Japanese cities of Tokyo and Yokohama.
Scholar Source Context
Document identity
localId
12759
label
Incense Burner with a Trellis and Chrysanthemums
core
obj
dtoType
object
citationUrl
pageCount
3
Source metadata
id
12759
sourceUrl
contentType
object
stage
normalized
title
Incense Burner with a Trellis and Chrysanthemums
description
This beige-colored incense burner features cut-away portions in between chrysanthemums and trellises that allow one to view the inner cylindrical liner. This liner depicts a stream in plique-a-jour blue enamels. The flower petals are also created with plique-a-jour enameling allowing light to pass through the form creating endless patterns of light and shadow across which the eye is meant to dance and play. Ando's choice to cover the body of this tripod with beige enamel is indicative of the fashionable nature of this type of decorative art. Like the annual colors released by contemporary fashion houses looking to set the tone for their new lines of clothing, enamelers at the Ando factory in Nagoya developed new colors that would key their newest decorative objects to the tastes of fashionable people in the major Japanese cities of Tokyo and Yokohama.
provenance
Panama-Pacific International Exposition, San Francisco, 1915; Henry Walters, Baltimore, 1915 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
ca. 1915 (Taisho)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Enamels
incense burners
imageCount
3
pageCount
3
source
import
dimensions
units
cm
width
12.7
height
14.6
dimensionsRaw
5 x 5 3/4 in. (12.7 x 14.6 cm)
Source extras
cul
Japanese
inscriptions
[Mark] Symbol of Ando Jubei
med
silver-wire and translucent enamel, silver, plique-a-jour enamel
creator_ids
6481
collection_ids
JPK
exhibition_ids
2748
Page inventory
seq
1
type
photo
mediaId
8b7c4ffcf6231fb2
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
f7d64cf3aa23a8c6
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
121def9240d6e4e5
hasOcr
no
hasDescription
no