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Source Description
This soup bowl and tray were part of a multi-vessel stacking set that was given to a woman at childbirth. The dishes celebrated the birth of a child—an important occasion that heavily influenced a woman’s status in the family—as well as the health of the new mother. The exteriors of the bowl and tray are painted with a continuous landscape of fields, hills, and trees, making the assembled set a cohesive whole, while the interior of the bowl and the top of the tray are more personal. They each depict a bedchamber following childbirth, and only the new mother would have seen these interior scenes as she used the wares for food and drink during her confinement. In fact, the top of the tray illustrates a woman eating from similar objects as those assembled here. The artist of the pair has not yet been identified; however it is likely that he was influenced by the circle of Francesco Xanto Avelli (1487-1542), a prominent maiolica painter from Urbino. The vibrant blues, oranges, greens, and yellows used throughout this set are characteristic of wares from the Metauro River Valley near Urbino, especially from Castel Durante, an early Renaissance center of maiolica production. For more information on “maiolica” see 48.1336.
Scholar Source Context
Document identity
localId
13007
label
Soup Bowl and Tray from a Childbirth Set
core
obj
dtoType
object
citationUrl
pageCount
2
Source metadata
id
13007
sourceUrl
contentType
object
stage
normalized
title
Soup Bowl and Tray from a Childbirth Set
description
This soup bowl and tray were part of a multi-vessel stacking set that was given to a woman at childbirth. The dishes celebrated the birth of a child—an important occasion that heavily influenced a woman’s status in the family—as well as the health of the new mother. The exteriors of the bowl and tray are painted with a continuous landscape of fields, hills, and trees, making the assembled set a cohesive whole, while the interior of the bowl and the top of the tray are more personal. They each depict a bedchamber following childbirth, and only the new mother would have seen these interior scenes as she used the wares for food and drink during her confinement. In fact, the top of the tray illustrates a woman eating from similar objects as those assembled here. The artist of the pair has not yet been identified; however it is likely that he was influenced by the circle of Francesco Xanto Avelli (1487-1542), a prominent maiolica painter from Urbino. The vibrant blues, oranges, greens, and yellows used throughout this set are characteristic of wares from the Metauro River Valley near Urbino, especially from Castel Durante, an early Renaissance center of maiolica production. For more information on “maiolica” see 48.1336.
provenance
Octavius E. Coope, Brentwood, Essex, by purchase; Sale, Christie's, London, May 3, 1910, no. 39; Jacques Seligmann, Paris [date of acquisition unknown], by purchase; Henry Walters, Baltimore, 1910, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1530-1550 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Ceramics
bowls (vessels)
trays
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
10.5
height
20.2
dimensionsRaw
4 1/8 x 7 15/16 in. (10.5 x 20.2 cm)
Source extras
med
earthenware with tin glaze (maiolica)
creator_ids
33562
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
8c85c41b22f03cf7
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
0406ed92fa71a6a0
hasOcr
no
hasDescription
no