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This “istoriato” (story-telling) plate shows Jupiter, king of the gods and here disguised as a bull, kidnapping the young maiden Europa and taking her across the sea. In the foreground, Europa, not realizing that the amiable bull with which she and her friends have been playing is a lascivious god, mounts the back of the bull. He wisks her across the sea (in the rear) to Crete, where, now as Jupiter, the god will make love to her. Though this story is in the Roman poet Ovid’s (43 BCE—17CE) Metamorphoses Book II (8 AD), an inscription painted on the plate’s reverse incorrectly indicates that it was taken from Book III: “1533 / De gioue ede eropa / Nel • iii libro de Ouidio •M•h• / in urbino.” Moreover, while Ovid describes Jupiter as a white bull, here Europa rides a brown beast across the water. The composition’s divergence from the story in the Metamorphoses reveals that maiolica painters were not always accurate in either depicting or sourcing popular mythological subjects. The back is stained with green and decorated with lustered spiral leaf scrolls. This plate was produced by Giulio da Urbino, a maiolica painter who was born in Urbino and worked in different Italian cities throughout his career. For more works by Giulio da Urbino, click on his name in the creator field; for information on ‘maiolica’ in general, see 48.1336.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- a8b3bc6670d216e8
- Size
- unknown
Document data
- ID
- 13053
- Core
- obj
- Type
- object
DTO data
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"title": "Plate with the Abduction of Europa",
"description": "This “istoriato” (story-telling) plate shows Jupiter, king of the gods and here disguised as a bull, kidnapping the young maiden Europa and taking her across the sea. In the foreground, Europa, not realizing that the amiable bull with which she and her friends have been playing is a lascivious god, mounts the back of the bull. He wisks her across the sea (in the rear) to Crete, where, now as Jupiter, the god will make love to her. Though this story is in the Roman poet Ovid’s (43 BCE—17CE) Metamorphoses Book II (8 AD), an inscription painted on the plate’s reverse incorrectly indicates that it was taken from Book III: “1533 / De gioue ede eropa / Nel • iii libro de Ouidio •M•h• / in urbino.” Moreover, while Ovid describes Jupiter as a white bull, here Europa rides a brown beast across the water. The composition’s divergence from the story in the Metamorphoses reveals that maiolica painters were not always accurate in either depicting or sourcing popular mythological subjects. The back is stained with green and decorated with lustered spiral leaf scrolls. This plate was produced by Giulio da Urbino, a maiolica painter who was born in Urbino and worked in different Italian cities throughout his career. For more works by Giulio da Urbino, click on his name in the creator field; for information on ‘maiolica’ in general, see 48.1336.",
"provenance": "H. Wencke Collection, Hamburg [date and mode of acquisition unknown] (?); Seligmann [date and mode of acquisition unknown]; Henry Walters, Baltimore, May 7, 1908, by purchase; Walters Art Museum, 1931, by bequest.",
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Context sent to Scholar
Document identity
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Document source metadata
{
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"contentType": "object",
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"title": "Plate with the Abduction of Europa",
"description": "This “istoriato” (story-telling) plate shows Jupiter, king of the gods and here disguised as a bull, kidnapping the young maiden Europa and taking her across the sea. In the foreground, Europa, not realizing that the amiable bull with which she and her friends have been playing is a lascivious god, mounts the back of the bull. He wisks her across the sea (in the rear) to Crete, where, now as Jupiter, the god will make love to her. Though this story is in the Roman poet Ovid’s (43 BCE—17CE) Metamorphoses Book II (8 AD), an inscription painted on the plate’s reverse incorrectly indicates that it was taken from Book III: “1533 / De gioue ede eropa / Nel • iii libro de Ouidio •M•h• / in urbino.” Moreover, while Ovid describes Jupiter as a white bull, here Europa rides a brown beast across the water. The composition’s divergence from the story in the Metamorphoses reveals that maiolica painters were not always accurate in either depicting or sourcing popular mythological subjects. The back is stained with green and decorated with lustered spiral leaf scrolls. This plate was produced by Giulio da Urbino, a maiolica painter who was born in Urbino and worked in different Italian cities throughout his career. For more works by Giulio da Urbino, click on his name in the creator field; for information on ‘maiolica’ in general, see 48.1336.",
"provenance": "H. Wencke Collection, Hamburg [date and mode of acquisition unknown] (?); Seligmann [date and mode of acquisition unknown]; Henry Walters, Baltimore, May 7, 1908, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
{
"inscriptions": [
"[Inscription] On the back center",
"in blue: 1533 / De gioue ede eropa / Nel • iii libro de Ouidio •M•h• / in urbino: ; decorative floral motif in lustre overtop of ‘in urbino’"
],
"med": "earthenware with tin glaze (maiolica) and luster decoration",
"creator_ids": [
"3258"
],
"collection_ids": [
"REN"
],
"exhibition_ids": []
}
Page context
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