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The composition, representing the beautiful, virtuous matron Susanna molested by two spying elders while bathing in her private garden, is based on an engraving by the French printmaker René Boyvin (ca. 1525-1610) after the Italian painter Giulio Romano (1499-1546). The plaque has been attributed to Pierre Courteys, whose monogrammed appears on the "Plate with Psyche Carried into the Mountains." It may be from his workshop, but the use of line and interpretation of form are not up to the quality of those elements in the monogrammed plate.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 75e6e444fa810c11
- Size
- unknown
Document data
- ID
- 13747
- Core
- obj
- Type
- object
DTO data
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"title": "Plaque with Susanna Molested by the Elders",
"description": "The composition, representing the beautiful, virtuous matron Susanna molested by two spying elders while bathing in her private garden, is based on an engraving by the French printmaker René Boyvin (ca. 1525-1610) after the Italian painter Giulio Romano (1499-1546). The plaque has been attributed to Pierre Courteys, whose monogrammed appears on the \"Plate with Psyche Carried into the Mountains.\" It may be from his workshop, but the use of line and interpretation of form are not up to the quality of those elements in the monogrammed plate.",
"provenance": "William T. / Henry Walters Collection, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
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Document identity
{
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Document source metadata
{
"id": "13747",
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"contentType": "object",
"stage": "normalized",
"title": "Plaque with Susanna Molested by the Elders",
"description": "The composition, representing the beautiful, virtuous matron Susanna molested by two spying elders while bathing in her private garden, is based on an engraving by the French printmaker René Boyvin (ca. 1525-1610) after the Italian painter Giulio Romano (1499-1546). The plaque has been attributed to Pierre Courteys, whose monogrammed appears on the \"Plate with Psyche Carried into the Mountains.\" It may be from his workshop, but the use of line and interpretation of form are not up to the quality of those elements in the monogrammed plate.",
"provenance": "William T. / Henry Walters Collection, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
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Document source extras
{
"med": "painted enamel on copper",
"creator_ids": [
"2005",
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Page context
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