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Source Description
This dish shows Constantine (272-337 CE), the first Christian Emperor of Rome, on horseback carrying a banner. He clasps his hands together in an attitude of prayer, and lifts his face to a series of waved rays, representing heavenly guidance, emanating from the top of the center roundel. The inscription, “Io mare chomado a Dio,” (I commend myself to God) is displayed on the outer ring. Constantine’s dramatic conversion and military victories made him the ideal Christian soldier, and his presence on a dish would have reminded the owner to follow his example. The back of the dish is painted with a greenish-yellow glaze and marked with a cross in the center. This is a "piatto di pompe," or ceremonial dish, distinguished by its impressive size and skillful decoration. In the sixteenth century, a group of these large dishes could take the place of fine metal vessels on a sideboard display. Painted in cobalt blue and gold-colored luster, it reveals the influence of Hispano-Moresque pottery imported to Italy during the Renaissance period. The dish is attributed to the workshop of Giacomo Mancini, also known as “El Frate,” one of the most prominent maiolica painters in Deruta. For additional information on luster decoration, see 48.1320
Scholar Source Context
Document identity
localId
14434
label
Dish with Constantine the Great
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
14434
sourceUrl
contentType
object
stage
normalized
title
Dish with Constantine the Great
description
This dish shows Constantine (272-337 CE), the first Christian Emperor of Rome, on horseback carrying a banner. He clasps his hands together in an attitude of prayer, and lifts his face to a series of waved rays, representing heavenly guidance, emanating from the top of the center roundel. The inscription, “Io mare chomado a Dio,” (I commend myself to God) is displayed on the outer ring. Constantine’s dramatic conversion and military victories made him the ideal Christian soldier, and his presence on a dish would have reminded the owner to follow his example. The back of the dish is painted with a greenish-yellow glaze and marked with a cross in the center. This is a "piatto di pompe," or ceremonial dish, distinguished by its impressive size and skillful decoration. In the sixteenth century, a group of these large dishes could take the place of fine metal vessels on a sideboard display. Painted in cobalt blue and gold-colored luster, it reveals the influence of Hispano-Moresque pottery imported to Italy during the Renaissance period. The dish is attributed to the workshop of Giacomo Mancini, also known as “El Frate,” one of the most prominent maiolica painters in Deruta. For additional information on luster decoration, see 48.1320
provenance
Normand Collection [date and mode of acquisition unknown] (?); Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
1540-1560 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Ceramics
dishes
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
8.4
height
40
dimensionsRaw
3 5/16 x 15 3/4 in. (8.4 x 40 cm)
Source extras
inscriptions
[Transcription] On the front
around the marli
an alternating pattern of rosettes and concave-sided squares containing one or two letters each of the inscription: I O M A RE C H O M A D O+ +A DI O + (Io mare chomado a Dio); [Translation] I commend myself to God ; [Inscription] On the back center
in greenish-yellow
a cross
med
earthenware with tin glaze (maiolica) and luster decoration
creator_ids
3019
collection_ids
REN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
dc8b239839d5aa44