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Guay made many gemstone portraits of King Louis XV, including this intaglio made of sard, a stone used for gem carving since antiquity. The naturalism of the king’s ringlets and plump double chin attests to Guay’s skill with the medium. The translucent luminosity of the orange stone and delicacy of the carving make it difficult to decipher the image. Red wax impressions as well as printed representations like those in Madame de Pompadour’s Suite (Walters 92.548) helped make gem carvings more legible.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- db01985a3e98331a
- Size
- unknown
Document data
- ID
- 14457
- Core
- obj
- Type
- object
DTO data
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"title": "Intaglio Portrait of Louis XV",
"description": "Guay made many gemstone portraits of King Louis XV, including this intaglio made of sard, a stone used for gem carving since antiquity. The naturalism of the king’s ringlets and plump double chin attests to Guay’s skill with the medium. The translucent luminosity of the orange stone and delicacy of the carving make it difficult to decipher the image. Red wax impressions as well as printed representations like those in Madame de Pompadour’s Suite (Walters 92.548) helped make gem carvings more legible.",
"provenance": "Acquired by Henry Walters, Baltimore; by bequest to Mrs. Henry Walters, New York, 1931; purchased by Joseph Brummer, New York; purchased by Walters Art Museum, 1942.",
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"dimensionsRaw": "H: 11/16 × W: 9/16 × D: 1/16 in. (1.7 × 1.4 × 0.2 cm)"
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Context sent to Scholar
Document identity
{
"localId": "14457",
"label": "Intaglio Portrait of Louis XV",
"core": "obj",
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"citationUrl": "https://purl.thewalters.org/art/42.1015"
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Document source metadata
{
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"contentType": "object",
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"title": "Intaglio Portrait of Louis XV",
"description": "Guay made many gemstone portraits of King Louis XV, including this intaglio made of sard, a stone used for gem carving since antiquity. The naturalism of the king’s ringlets and plump double chin attests to Guay’s skill with the medium. The translucent luminosity of the orange stone and delicacy of the carving make it difficult to decipher the image. Red wax impressions as well as printed representations like those in Madame de Pompadour’s Suite (Walters 92.548) helped make gem carvings more legible.",
"provenance": "Acquired by Henry Walters, Baltimore; by bequest to Mrs. Henry Walters, New York, 1931; purchased by Joseph Brummer, New York; purchased by Walters Art Museum, 1942.",
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Document source extras
{
"med": "sard",
"creator_ids": [
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],
"collection_ids": [
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],
"exhibition_ids": [
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}
Page context
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