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The movement of this clock is marked D. F. with a pinecone, indicating Augsburg as its city of origin. It is typical of the elaborate clocks with symbolic associations for which that city became known in the later 16th and 17th centuries. Urns had been used since antiquity for the ashes of the dead, while on the silver ovals are allegorical representations of the four seasons.

Page data

Page
1
Source index
0
Type
photo
Media ID
871c6969e59e4a6f
Size
unknown

Document data

ID
15676
Core
obj
Type
object
DTO data
{
    "id": "15676",
    "sourceUrl": "https://purl.thewalters.org/art/58.217",
    "contentType": "object",
    "stage": "normalized",
    "title": "Clock in the Form of an Urn",
    "description": "The movement of this clock is marked D. F. with a pinecone, indicating Augsburg as its city of origin.  It is typical of the elaborate clocks with symbolic associations for which that city became known in the later 16th and 17th centuries.  Urns had been used since antiquity for the ashes of the dead, while on the silver ovals are allegorical representations of the four seasons.",
    "provenance": "Seligman Brothers, Paris; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
    "date": "1580-1600 (Renaissance)",
    "citationUrl": "https://purl.thewalters.org/art/58.217",
    "rightsUri": "CC0",
    "language": "en",
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        "Timepieces, Clocks & Watches",
        "clocks"
    ],
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    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 31.8,
            "height": 13.5,
            "depth": 20.3
        }
    ],
    "dimensionsRaw": "H: 12 1/2 × W: 5 5/16 × D: 8 in. (31.8 × 13.5 × 20.3 cm)"
}

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Document identity
{
    "localId": "15676",
    "label": "Clock in the Form of an Urn",
    "core": "obj",
    "dtoType": "object",
    "citationUrl": "https://purl.thewalters.org/art/58.217"
}
Document source metadata
{
    "id": "15676",
    "sourceUrl": "https://purl.thewalters.org/art/58.217",
    "contentType": "object",
    "stage": "normalized",
    "title": "Clock in the Form of an Urn",
    "description": "The movement of this clock is marked D. F. with a pinecone, indicating Augsburg as its city of origin.  It is typical of the elaborate clocks with symbolic associations for which that city became known in the later 16th and 17th centuries.  Urns had been used since antiquity for the ashes of the dead, while on the silver ovals are allegorical representations of the four seasons.",
    "provenance": "Seligman Brothers, Paris; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
    "date": "1580-1600 (Renaissance)",
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    "rightsUri": "CC0",
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    "imageCount": 1,
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            "depth": 20.3
        }
    ],
    "dimensionsRaw": "H: 12 1/2 × W: 5 5/16 × D: 8 in. (31.8 × 13.5 × 20.3 cm)"
}
Document source extras
{
    "inscriptions": "[Signature] D.F.",
    "med": "gilded brass and silver case; silver and champlevé enamel dial; iron and partially gilded brass movement",
    "creator_ids": [
        "7539"
    ],
    "collection_ids": [
        "REN"
    ],
    "exhibition_ids": [
        "2882"
    ]
}
Page context
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    "url": "https://art.thewalters.org/images/raw/PL9_58.217_Fnt_BW.jpg",
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