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American excavations in Fustat have uncovered many examples of these unglazed earthenware jugs. This one has two inscriptional bands in relief and an animal frieze on an arabesque ground. The middle section was made from a mold, and this suggests that these types of jugs were made in multiples. Fustat was, in fact, acclaimed during the medieval period for ceramic mass production. It should be noted, however, that similar examples were also discovered at sites in Syria and Afghanistan.

Page data

Page
3
Source index
0
Type
photo
Media ID
260514dc321211cd
Size
unknown

Document data

ID
15763
Core
obj
Type
object
DTO data
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    "title": "Jug",
    "description": "American excavations in Fustat have uncovered many examples of these unglazed earthenware jugs. This one has two inscriptional bands in relief and an animal frieze on an arabesque ground. The middle section was made from a mold, and this suggests that these types of jugs were made in multiples. Fustat was, in fact, acclaimed during the medieval period for ceramic mass production. It should be noted, however, that similar examples were also discovered at sites in Syria and Afghanistan.",
    "provenance": "Dikran Kelekian, New York and Paris, [date and mode of acquisition unknown] [as excavated at Fostat, Egypt (?)]; Henry Walters, Baltimore, 1927, by purchase; Walters Art Museum, 1931, by bequest.",
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Context sent to Scholar

Document identity
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Document source metadata
{
    "id": "15763",
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    "contentType": "object",
    "stage": "normalized",
    "title": "Jug",
    "description": "American excavations in Fustat have uncovered many examples of these unglazed earthenware jugs. This one has two inscriptional bands in relief and an animal frieze on an arabesque ground. The middle section was made from a mold, and this suggests that these types of jugs were made in multiples. Fustat was, in fact, acclaimed during the medieval period for ceramic mass production. It should be noted, however, that similar examples were also discovered at sites in Syria and Afghanistan.",
    "provenance": "Dikran Kelekian, New York and Paris, [date and mode of acquisition unknown] [as excavated at Fostat, Egypt (?)]; Henry Walters, Baltimore, 1927, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
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    "cul": "Islamic",
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Page context
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