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The superhuman feats of Hercules personified the ideal of fortitude in the service of virtue. Here, he fights the lion that had been terrorizing the people of Nemea. Herculean subjects were attractive to collectors, who displayed statuettes like this one in their studies as reflections of their own "heroic" strength and "unparalleled" accomplishments. Members of the Habsburg dynasty were particularly fond of identifying with him. As with "Samson Wrestling with the Lion" (Walters 71.433), the sculptor faced the challenge of portraying violent combat in a sensuous material. More often, hard materials, such as bronze, were chosen to communicate athleticism. To overcome the soft, silky appearance of ivory, Hercules's physical power is conveyed through exaggerated, knotted muscles. The anguished expression and ropey hair recall the style of the Master of the Furies, for example, "Tormented Figure" (Walters 71.435).

Page data

Page
1
Source index
0
Type
photo
Media ID
3d87b98861fa3396
Size
unknown

Document data

ID
17346
Core
obj
Type
object
DTO data
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    "stage": "normalized",
    "title": "Hercules and the Nemean Lion",
    "description": "The superhuman feats of Hercules personified the ideal of fortitude in the service of virtue. Here, he fights the lion that had been terrorizing the people of Nemea. Herculean subjects were attractive to collectors, who displayed statuettes like this one in their studies as reflections of their own \"heroic\" strength and \"unparalleled\" accomplishments. Members of the Habsburg dynasty were particularly fond of identifying with him. As with \"Samson Wrestling with the Lion\" (Walters 71.433), the sculptor faced the challenge of portraying violent combat in a sensuous material. More often, hard materials, such as bronze, were chosen to communicate athleticism. To overcome the soft, silky appearance of ivory, Hercules's physical power is conveyed through exaggerated, knotted muscles. The anguished expression and ropey hair recall the style of the Master of the Furies, for example, \"Tormented Figure\" (Walters 71.435).",
    "provenance": "Josephus Jitta, Amsterdam [date and mode of acquisition unknown]; W. S. L. Schuster, London [date and mode of acquisition unkonwn]; Sale, Christie's, London, Nov. 24, 1911, lot 73; George Robinson Harding, London [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1912, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1640-1660 (Baroque)",
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Document identity
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Document source metadata
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    "contentType": "object",
    "stage": "normalized",
    "title": "Hercules and the Nemean Lion",
    "description": "The superhuman feats of Hercules personified the ideal of fortitude in the service of virtue. Here, he fights the lion that had been terrorizing the people of Nemea. Herculean subjects were attractive to collectors, who displayed statuettes like this one in their studies as reflections of their own \"heroic\" strength and \"unparalleled\" accomplishments. Members of the Habsburg dynasty were particularly fond of identifying with him. As with \"Samson Wrestling with the Lion\" (Walters 71.433), the sculptor faced the challenge of portraying violent combat in a sensuous material. More often, hard materials, such as bronze, were chosen to communicate athleticism. To overcome the soft, silky appearance of ivory, Hercules's physical power is conveyed through exaggerated, knotted muscles. The anguished expression and ropey hair recall the style of the Master of the Furies, for example, \"Tormented Figure\" (Walters 71.435).",
    "provenance": "Josephus Jitta, Amsterdam [date and mode of acquisition unknown]; W. S. L. Schuster, London [date and mode of acquisition unkonwn]; Sale, Christie's, London, Nov. 24, 1911, lot 73; George Robinson Harding, London [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1912, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1640-1660 (Baroque)",
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Document source extras
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    "med": "ivory",
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        "15385"
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    "collection_ids": [
        "BAR"
    ],
    "exhibition_ids": [
        "1994",
        "215"
    ]
}
Page context
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