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To reinforce their power visually, Egyptian royal monuments often displayed depictions of groups of foreigners bound as prisoners or in defensive positions while Egyptian sovereigns attacked. Representatives of various Nubian groups were frequently included, along with Babylonians, Libyans, Syrians, Hittites, Canaanites, Philistines, Amorites, and even Greeks. While some nations were conquered and captured, others were vassal states that offered tribute or were bound to Egypt by diplomatic treaties. To depict the foreign groups, Egyptian artists standardized their clothing and hairstyles into set “types” and emphasized any perceived physical differences from Egyptians. This man has the large earring and tightly curled hairstyle typical of Egyptian depictions of Nubians. When complete, the tile showed the chieftain as a bound prisoner. Such prisoner tiles could have decorated the bases of walls of royal buildings, so the enemies of the pharaoh would be quite literally at his feet.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 7ecd2c05b5be0771
- Size
- unknown
Document data
- ID
- 18115
- Core
- obj
- Type
- object
DTO data
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"title": "Tile: Captive Nubian Chieftain",
"description": "To reinforce their power visually, Egyptian royal monuments often displayed depictions of groups of foreigners bound as prisoners or in defensive positions while Egyptian sovereigns attacked. Representatives of various Nubian groups were frequently included, along with Babylonians, Libyans, Syrians, Hittites, Canaanites, Philistines, Amorites, and even Greeks. While some nations were conquered and captured, others were vassal states that offered tribute or were bound to Egypt by diplomatic treaties. To depict the foreign groups, Egyptian artists standardized their clothing and hairstyles into set “types” and emphasized any perceived physical differences from Egyptians. This man has the large earring and tightly curled hairstyle typical of Egyptian depictions of Nubians. When complete, the tile showed the chieftain as a bound prisoner. Such prisoner tiles could have decorated the bases of walls of royal buildings, so the enemies of the pharaoh would be quite literally at his feet.",
"provenance": "Dikran Kelekian, Paris and New York, [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1929, by purchase; Walters Art Museum, 1931, by bequest.",
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Document identity
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Document source metadata
{
"id": "18115",
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"contentType": "object",
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"title": "Tile: Captive Nubian Chieftain",
"description": "To reinforce their power visually, Egyptian royal monuments often displayed depictions of groups of foreigners bound as prisoners or in defensive positions while Egyptian sovereigns attacked. Representatives of various Nubian groups were frequently included, along with Babylonians, Libyans, Syrians, Hittites, Canaanites, Philistines, Amorites, and even Greeks. While some nations were conquered and captured, others were vassal states that offered tribute or were bound to Egypt by diplomatic treaties. To depict the foreign groups, Egyptian artists standardized their clothing and hairstyles into set “types” and emphasized any perceived physical differences from Egyptians. This man has the large earring and tightly curled hairstyle typical of Egyptian depictions of Nubians. When complete, the tile showed the chieftain as a bound prisoner. Such prisoner tiles could have decorated the bases of walls of royal buildings, so the enemies of the pharaoh would be quite literally at his feet.",
"provenance": "Dikran Kelekian, Paris and New York, [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1929, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1300-1150 BCE (New Kingdom)",
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Document source extras
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"med": "faience with polychrome glaze",
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Page context
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