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This romanticized view of rural life with picturesque details such as the gnarled tree reflects the influence of French decorative art and engravings on Italian ceramics at this period. This is also true of the pastel colors (grey-blue, grey-green and copper-green, yellow, ochre, and manganese, heightened with gold) that result in a watercolor-like effect. The marli (broad, flat border rim) is decorated with two putti (naked toddlers that amusingly act above their age), a rooster, a bird, insects and flowers within serpentine leaf scrolls. The imagery is characteristic of Carlo Antonio Grue’s work at the end of the seventeenth and beginning of the eighteenth century. For more on the Grue family see no. 48.1755; for more works by Carlo Antonio, click on his name in the “creator” field; for information on "maiolica," see 48.1336.

Page data

Page
1
Source index
0
Type
photo
Media ID
07248ffa23306db6
Size
unknown

Document data

ID
18426
Core
obj
Type
object
DTO data
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    "sourceUrl": "https://purl.thewalters.org/art/48.1753",
    "contentType": "object",
    "stage": "normalized",
    "title": "Plate with an Idyllic Rural Landscape",
    "description": "This romanticized view of rural life with picturesque details such as the gnarled tree reflects the influence of French decorative art and engravings on Italian ceramics at this period. This is also true of the pastel colors (grey-blue, grey-green and copper-green, yellow, ochre, and manganese, heightened with gold) that result in a watercolor-like effect. The marli (broad, flat border rim) is decorated with two putti (naked toddlers that amusingly act above their age), a rooster, a bird, insects and flowers within serpentine leaf scrolls. The imagery is characteristic of Carlo Antonio Grue’s work at the end of the seventeenth and beginning of the eighteenth century. For more on the Grue family see no. 48.1755; for more works by Carlo Antonio, click on his name in the “creator” field; for information on \"maiolica,\" see 48.1336.",
    "provenance": "Sangiorgi, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1930, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1680-1700 (Baroque)",
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Context sent to Scholar

Document identity
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    "label": "Plate with an Idyllic Rural Landscape",
    "core": "obj",
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    "citationUrl": "https://purl.thewalters.org/art/48.1753"
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Document source metadata
{
    "id": "18426",
    "sourceUrl": "https://purl.thewalters.org/art/48.1753",
    "contentType": "object",
    "stage": "normalized",
    "title": "Plate with an Idyllic Rural Landscape",
    "description": "This romanticized view of rural life with picturesque details such as the gnarled tree reflects the influence of French decorative art and engravings on Italian ceramics at this period. This is also true of the pastel colors (grey-blue, grey-green and copper-green, yellow, ochre, and manganese, heightened with gold) that result in a watercolor-like effect. The marli (broad, flat border rim) is decorated with two putti (naked toddlers that amusingly act above their age), a rooster, a bird, insects and flowers within serpentine leaf scrolls. The imagery is characteristic of Carlo Antonio Grue’s work at the end of the seventeenth and beginning of the eighteenth century. For more on the Grue family see no. 48.1755; for more works by Carlo Antonio, click on his name in the “creator” field; for information on \"maiolica,\" see 48.1336.",
    "provenance": "Sangiorgi, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1930, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1680-1700 (Baroque)",
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    "rightsUri": "CC0",
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Document source extras
{
    "med": "earthenware with tin glaze (maiolica) and gold luster",
    "creator_ids": [
        "2193"
    ],
    "collection_ids": [
        "BAR"
    ],
    "exhibition_ids": []
}
Page context
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